Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink and gouache on ivory wove paper.

Changed Lines, 1973

Richard Tuttle

A work made of stencil.

The Former Ersatz Landowner, July 3, 1944

Sergei N. Kostin

A work made of chromogenic print, from the portfolio "groups in america".

Capitol Wrestling Corporation, Washington D.C., 1979

Neal Slavin

A work made of gelatin silver print.

Marc Chagall, 1941

Arnold Newman

A work made of black chalk on buff wove paper.

Study for Mazas, 1894

Maximilien Luce

A work made of stencil.

Glory to the Pilot-Heroes, August 4, 1945

Pavel F. Sudakov

A work made of color screenprint on paper.

Cairo Passing, from 1776 USA 1976: Bicentennial Prints, 1975

Walter Darby Bannard

A work made of drypoint in blue, brown, green, turquoise, and red on paper.

Night and Day, 1978

Jennifer Losch Bartlett

A work made of gelatin silver print.

Pat Sabatine's Eighth Birthday Party, Martins Creek, PA, 1977

Larry Fink

A work made of screenprint on kromekote paper.

Study for Holograms, 1970

Bruce Nauman

A work made of stencil.

Thunder and Lightning, August 28, 1944

Petr A. Sarkisian

A work made of stencil.

Hail the Fifth Anniversary of the Latvian, Estonian and Lithuanian SSRs!, July 17, 1945

Petr A. Sarkisian

A work made of etching on white wove paper.

Life Fly Lifes Flies, 1997

Bruce Nauman

A work made of gelatin silver print.

Woman on the floor in a mental asylum, USA

Backstage at the Landscape

Backstage at the Landscape, 1972

Tony Berlant

A work made of etching in black on off-white wove paper.

Singer, plate eight from Alcools, 1934

Louis Marcoussis

A work made of gelatin silver print.

Iron Coffins for the Youthful Dead, 1941

Clarence John Laughlin

A work made of watercolor drawing on cream wove paper.

Girl on Stool, 1941

Georg Redlich

A work made of color woodblock print.

Grand Bridge of Matsue in Shimane, 1941

Hiratsuka Un'ichi

A work made of lithograph on ivory laid paper.

Point Center 1941, page two from Recollection, 1964–68

Fritz Glarner

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