Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching and aquatint, with drypoint, from five plates in black on cream wove paper.

Salvatory Solution, 1964

Art Green

A work made of woodblock print.

Fragments of Buddhist Sculpture at the Usuki Site, Oita, 1941

Hiratsuka Un'ichi

A work made of woodblock print.

Fragments of Buddhist Sculpture at Usuki, 1941

Hiratsuka Un'ichi

A work made of etching on ivory wove paper.

Ballet, 1941

David Smith

Scene in a diner, viewed through wrap-around glass windows, at night on an empty urban street. A light-skinned man and woman, he in a suit and she in a red dress, sit together at a triangular wood bar, eyes downcast. At left sits another man, his back to the viewer. Behind the counter is a light-skinned man in a white uniform. The interior lights cast a yellow glow that spills onto the street in pale green. Above the diner a sign reads, "Phillies."

Nighthawks, 1942

Edward Hopper

Print with a cream-colored background, a blue area at left suggesting the shape of a human body, and a red area at right of the same, but inverted. In the middle region, many small solid black human figures cascade head-first from the top of the composition to the bottom.

Japan 1947: Caricature Number One, 1947

Onchi Kōshirō

A work made of monoprint on white wove paper.

Untitled (Viragza's V), 1979

László Düs

A work made of gelatin silver print.

Untitled (Two Women Conversing, Florida), 1941

Walker Evans

A work made of gelatin silver print.

William Edmondson, Sculptor, Nashville, Tennessee, 1941

Edward Weston

A work made of gelatin silver print.

Cracked Linoleum, Northumberland, 1954

Merg Ross

A work made of transfer lithograph on ivory wove paper.

Shit to Gold, 1986

Roger Brown

A work made of collage with watercolor on cream wove paper laid down on white wove paper.

Collage Drawing, 1977

Richard Tuttle

A work made of woodblock print.

Fragments of Buddhist Sculpture at the Usuki Site, Oita, 1941

Hiratsuka Un'ichi

A work made of engraving in black on cream wove paper.

After the Dance, c. 1920

Auguste Brouet

A work made of color offset lithograph on off-white wove paper.

Disasters, 1972

Roger Brown

A work made of color etching and aquatint, with burnishing, inked à la poupée, on white wove paper.

A Heavy Cross, 1941

Charlotte Rothstein

A work made of color hard and soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled, 2001

Martin Puryear

A work made of lithograph in black on ivory wove paper.

Back Yard, 1941

Leonard Havens

A work made of stencil.

Victors of the May Day Competition, April 25, 1944

Mikhail M. Solov'ev

A work made of gelatin silver print, from the portfolio "gypsy wedding" (1970).

Untitled, c. 1970

Wayne Sorce

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