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A work made of lithograph on white wove paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of lithograph on white wove paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of lithograph on ivory laid paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of lithograph on ivory wove paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of lithograph on ivory wove paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of lithograph on off-white laid paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

Painting of tall slender woman in white gown leaning on chair.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of lithograph on cream laid paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of lithograph on cream laid paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of lithograph on cream laid paper.

Les Points Centreaux 1941-44, page nine from Recollection, 1964–68

Fritz Glarner

A work made of gelatin silver print.

Troops of FFl in training in the Cameroons, January, 1941, 1941

George Rodger

A work made of color screenprint on off-white wove paper.

Gobbers, Git a Bag!!!, 1941

Bernece Berkman

A work made of etching on ivory laid paper.

Jackson Hollow, 1897

Bertha E. Jaques

A work made of journal with letterpress decorated wrappers.

Veshchʹ : mezhdunarodnoe obozrenie sovremennogo iskusstva (Subject: international review of modern art), 1922

El Lissitzky

A work made of color woodblock print.

Owl, no. 133, 1979

Katsuda Yukio

Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of watercolor over graphite on cream wove paper.

Priest and Boy, n.d.

Lawrence Carmichael Earle

A work made of color softground etching and spitbite aquatint, on cream japanese paper, laid down on white wove paper (chine collé).

Untitled III (State 1), 2002

Martin Puryear

Drawing of the side exterior of a sprawling, multistory building complex with a section drawing of a portion underground at left. Signed in the bottom right corner.

Fabrica (Benetton Research Center), Treviso, Italy, Section and Elevation, 1998

Tadao Ando

A work made of etching and aquatint on white wove paper.

Theater Row (#1), 1968

Roger Brown

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