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A work made of various.

Patti Adams Shriner, House and Studio, Number 2, 1928

Bruce Goff

A work made of collotype, pl. xx from the album "illustrations of china and its people, volume i" (1873).

Physic Street, Canton, c. 1868

John Thomson

A work made of collotype, pl. xx from the album "illustrations of china and its people, volume ii" (1873).

Part of Foochow Foreign Settlement; Terracing Hills; Foochow Field Women; A Memorial Arch, c. 1868

John Thomson

A work made of chromogenic print.

Untitled, printed March, 7, 1968

Unknown Maker

A work made of wool, dovetail and single interlocking tapestry weave; edges finished with three strand weft twining with four knotted corner tassels.

Sandpainting Tapestry, c. 1925

Hosteen Klah

A work made of earthenware with three-color (sancai) lead glazes.

Groom, Tang dynasty (618–907), first half of 8th century

A work made of hard-paste porcelain, black enamel (schwarzlot), and gilding.

Vase and Cover (one of a pair), 1715/20

Meissen Porcelain Manufactory

A work made of color woodblock print; chuban.

Shirasuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of engraving in black on ivory laid paper.

The Grand Duke Fortifies the Port of Livorno, from The Life of Ferdinando I de’ Medici, 1616/20

Jacques Callot

A work made of three color lithograph on white wove paper.

Balled Eagle, 1969

Mel Ramos

A work made of gelatin silver print, no. 20, from the portfolio "arthur rothstein" (1981).

Boy with Chicken, Hungjao, China, 1945

Arthur Rothstein

A work made of gelatin silver print.

Untitled, c. 1950/59

Unknown Maker

A work made of engraving in black ink on cream paper.

The Betrayal of Christ, plate three from The Passion of Christ, 1598

Hendrick Goltzius

A work made of etching and aquatint in bistre on heavy cream laid paper.

Caesar’s Tower and Part of Warwick Castle from the Island, plate three from Views of Warwick Castle, January 1776

Paul Sandby

A work made of wool, three-colored complementary weft, weft-float faced 3:1 twill weave; lined with linen, plain weave; two panels pieced.

Peacock and Dragon, Design 1878

William Morris

A work made of color woodblock print; oban.

Kameyama—No. 47, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of etching on paper.

The Naval Battle, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of steel, leather, and iron.

Roundel Dagger and Scabbard, 1500/20

A work made of wool and silk, slit and double interlocking tapestry weave
warp: count: 5 warps per cm; wool: s-ply of three z-spun elements; diameter: 1.2 mm
weft: count: varies from 20 to 34 wefts per cm; wool: s-ply of two z-spun elements; diameters; 0,4–1.2 mm; silk: s-ply of two z-twisted elements; diameters: 0.5–1.5 mm.

The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob, 1560/68

Workshop of Jan van Tieghem

A work made of color woodblock print.

Three Horses, 20th century

Saito Kiyoshi

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