Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite on ivory wove paper.

Yvette Guilbert (recto) Three-Quarter Length Study of Yvette Guilbert (verso), c. 1894

Henri de Toulouse-Lautrec

A work made of buff earthenware with three-color (sancai) lead glazes and molded decoration.

Horse (Tomb Figure), Tang dynasty (618–907), first half of 8th century, with restored head and neck

A work made of color photolithograph and lithograph from three stones on cream wove paper.

Seagull—Bikini of God, 1978

Robert Rauschenberg

A work made of engraving in black on buff laid paper.

Three-Masted Ship Steering to the Right, c. 1467

Master W with the Key

A work made of etching and burnishing on ivory wove paper with gilt edges.

Against the Common Good, plate 71 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of graphite, on tan wove paper, perimeter mounted on ivory laid paper.

Cross-Section of a Pillared Hall and Three Figure Sketches, 1813/14

Jean Louis André Théodore Géricault

A work made of iron, wood, and paint.

Lance for Joust or Quintain Course, 1710-20

A work made of gelatin silver print.

Zabriski Point, Death Valley National Monument, California, No. 12 from "Portfolio Three: Yosemite Valley" (1959), 1942, printed 1950

Ansel Adams

A work made of pen and ink, two page, double-sided autograph letter, signed julia margaret cameron.

Autograph Letter, 20 June 1875

Julia Margaret Cameron

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Three People, a Mask, a Fox, and a Bird, headpiece for Le sourire, 1899

Paul Gauguin

A work made of pen and black ink, brush and black ink, gray wash, and orange watercolor wash, with scraping, with white gouache, over graphite, on cream wove paper.

Three Monks Crossing a Bridge Over a Cataract, n.d.

Unknown

A work made of color woodblock print; oban.

Hamamatsu—No. 30, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color lithograph on wove paper.

Text Sheet, plate from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left), c. 1729

Torii Kiyomasu II

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Souvenir of St. Valéry-sur-Somme, plate three from Six Marines, 1833

Eugène Isabey

A work made of linen; plain weave; embroidered with silk in bullion, chain, crested chain, rosette chain, closed feather, long-armed cross, whipped long-armed cross, knot and stem stitches.

Panel with the Figures of Three Continents, 17th century

A work made of color woodblcok print; oban.

Ishiyakushi—No. 45, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of soft ground etching and aquatint from a zinc plate in bistre (brown) on ivory wove paper.

Woman Fixing Her Hair, Three-Quarter View, 1902

Théophile-Alexandre Pierre Steinlen

A work made of text on three sheets of laid paper, folded.

Title Page, from Jahrmarkt, 1921, published 1922

Max Beckmann

A work made of etching on paper.

Returning from the Hunt, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

<<<46474849 >>>