Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of albumen print.

Untitled, Street Corner (60 Rue Beaubourg), 1910/20

Jean-Eugène-Auguste Atget

A work made of buff earthenware with three-color (sancai) lead glazes and molded decoration.

Horse (Tomb Figure), Tang dynasty (618–907), first half of 8th century, with restored head and neck

A work made of color photolithograph and lithograph from three stones on cream wove paper.

Seagull—Bikini of God, 1978

Robert Rauschenberg

A work made of bone, staghorn, limewood, birchbark, rawhide, leather, and iron.

Saddle, 1400-20

A work made of black chalk, with touches of pen and black ink and white chalk, on tan laid paper.

Lot's Daughters Fleeing Sodom, 1615/20

Lucas Emil Vorsterman

A work made of color woodblock print; oban.

Hamamatsu—No. 30, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of linen; plain weave; embroidered with silk in bullion, chain, crested chain, rosette chain, closed feather, long-armed cross, whipped long-armed cross, knot and stem stitches.

Panel with the Figures of Three Continents, 17th century

A work made of color lithograph on wove paper.

Text Sheet, plate from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left), c. 1729

Torii Kiyomasu II

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Souvenir of St. Valéry-sur-Somme, plate three from Six Marines, 1833

Eugène Isabey

A work made of color woodblcok print; oban.

Ishiyakushi—No. 45, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of etching and burnishing on ivory wove paper with gilt edges.

Against the Common Good, plate 71 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of soft ground etching and aquatint from a zinc plate in bistre (brown) on ivory wove paper.

Woman Fixing Her Hair, Three-Quarter View, 1902

Théophile-Alexandre Pierre Steinlen

A work made of iron, wood, and paint.

Lance for Joust or Quintain Course, 1710-20

A work made of pen and ink, two page, double-sided autograph letter, signed julia margaret cameron.

Autograph Letter, 20 June 1875

Julia Margaret Cameron

A work made of gelatin silver print.

Untitled, c. 1960/69

Unknown Maker

A work made of brush and black ink and watercolor, over graphite, with border in pen and black ink, on tan wove tracing paper.

Clown Playing The Large Drum, drawing for plate three from Cirque, c. 1935

Georges Rouault

A work made of color lithograph from one stone on white japanese paper.

Lot's Wife (section three of triptych), 1971

Helen Frankenthaler

A work made of color woodblock print; oban.

Three Women after a Bath, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)", c. 1783/84

Torii Kiyonaga

A work made of text on three sheets of laid paper, folded.

Title Page, from Jahrmarkt, 1921, published 1922

Max Beckmann

<<<45464748 >>>