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A work made of pen and black ink, brush and black ink, gray wash, and orange watercolor wash, with scraping, with white gouache, over graphite, on cream wove paper.

Three Monks Crossing a Bridge Over a Cataract, n.d.

Unknown

A work made of color woodblock print; oban.

Hamamatsu—No. 30, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color lithograph on wove paper.

Text Sheet, plate from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of text on three sheets of laid paper, folded.

Title Page, from Jahrmarkt, 1921, published 1922

Max Beckmann

A work made of etching on paper.

Returning from the Hunt, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 10 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.5–0.7 mm weft: count: varies from 20 to 48 wefts per cm: wool: s-ply of two z-spun elements; diameters: 0.3–0.8 mm; silk: pairs and three yarns of s-ply of two z-twisted elements; paired yarns of s-ply of two z-twisted elements and single z-twisted element; diameters: 0.4–0.85 mm.

Caesar Embarks by Boat to Join His Army from The Story of Caesar and Cleopatra, c. 1680

Workshop of Gerard Peemans

A work made of linen; plain weave; embroidered with silk in bullion, chain, crested chain, rosette chain, closed feather, long-armed cross, whipped long-armed cross, knot and stem stitches.

Panel with the Figures of Three Continents, 17th century

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left), c. 1729

Torii Kiyomasu II

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Souvenir of St. Valéry-sur-Somme, plate three from Six Marines, 1833

Eugène Isabey

A work made of wool, cotton, rayon, and acetate, broken twill weave.

Sample (Up 20 B #7), Late 1940s

Robert D. Sailors

A work made of color woodblcok print; oban.

Ishiyakushi—No. 45, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of cotton, plain weave; engraved roller printed.

Le Kakatoes (The Cockatoo) (Furnishing Fabric), c. 1815/20

Favre-Petitpierre et Cie.

A work made of soft ground etching and aquatint from a zinc plate in bistre (brown) on ivory wove paper.

Woman Fixing Her Hair, Three-Quarter View, 1902

Théophile-Alexandre Pierre Steinlen

A work made of cotton and wool, three-color complementary weft plain weave with inner warps.

Cry for Help, 1904

Josef Hoffmann

A work made of watercolor, with pen and ink, on paper.

Sunflowers, August 20, 1895

Georges Lemmen

A work made of brush and black ink and watercolor, over graphite, with border in pen and black ink, on tan wove tracing paper.

Clown Playing The Large Drum, drawing for plate three from Cirque, c. 1935

Georges Rouault

A work made of color lithograph from one stone on white japanese paper.

Lot's Wife (section three of triptych), 1971

Helen Frankenthaler

A work made of color woodblock print; oban.

Three Women after a Bath, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)", c. 1783/84

Torii Kiyonaga

A work made of gelatin silver print, no. 20 from the portfolio "bayard: xxv calotypes, 1842-1850" (1965).

Enseigne d'un Marchand de Chevaux, 1842/50, printed 1965

Hippolyte Bayard

A work made of hand-colored woodblock print.

Song Dynasty Three-Color Glazed Plate with Rabbit Design (So sansai tomonzara), 1944

Hiratsuka Un'ichi

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