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A work made of gelatin silver print.

Untitled (Stamped This is a Guaranteed Print by Van Vranken's Studio, Winona, Minn., Mail Orders Solicited), c. 1910/19

Unknown Maker

A work made of color woodblock print; chuban.

Yoshida, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of color woodblock print; naga-oban.

Husband and Wife Caught in an Evening Shower (Fufu no Yudachi), from the series "Three Evening Pleasures of the Floating World" ("Ukiyo San Seki"), c. 1800

Kitagawa Utamaro

A work made of albumen print.

Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), c. 1872/74

Julia Margaret Cameron

A work made of color woodblock print; chuban.

Gonchunagon Sadaie (Fujiwara no Teika), from an untitled series of parodies of the Three Evening Poems, c. 1767/68

Suzuki Harunobu

A work made of slip-coated earthenware with three-color (sancai) lead glazes and underglaze mold-impressed decoration.

Tripod Dish with Flying Goose, Stylized Flowers and Vines, Tang dynasty (618–907)

A work made of gelatin silver print.

Martha Graham, New York, March 20, 1948, printed c. 1948

Irving Penn

A work made of color woodblock print; naga-oban.

Northern Quarter (Hokkoku), from the series "Three Amusements of Contemporary Beauties (Tosei bijin sanyu)", c. 1800

Kitagawa Utamaro

A work made of albumen print, pl. 20 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

Burnside Bridge, Across Antietam Creek, Maryland, September 1862

Alexander Gardner

A work made of brush and gray-brown ink and wash, on blue laid paper, laid down on ivory laid paper.

Three Bearded Male Heads, Two in Profile to the Right, n.d.

Circle of Bernardino Lanino

A work made of silver dye-bleach print.

Returning Home, Masaya (After Three Days of Bombing), September 1978

Susan Meiselas

A work made of etching on ivory laid paper.

Plate Three, from Entrance of the Ambassador of Poland into Rome, 1633

Stefano della Bella

A work made of three chromogenic prints, edition number five of five.

Portrait of S.A.M. (Europeans), 1993

Fred Wilson

A work made of gelatin silver print.

Arata Isozaki, New York, November 20, 1992, printed 1993

Irving Penn

A work made of three etchings from three plates, two in red ink and one in olive green ink, on cream wove paper, laid down on off-white laid paper.

Plates four, five, and six from A Harlot's Progress, 1732/61

William Hogarth

A work made of pen and black ink, with scraping on cream wove paper.

Moerdijk Bridge, 1907–20

Le Corbusier (Charles-Édouard Jeanneret)

A work made of lithograph in black on ivory laid paper.

Portrait of General Frézia, Baron of Ogliano, 1817–20

Dominique-Vivant Denon

A work made of gelatin silver print.

Isamu Noguchi, New York, December 20, 1983, printed 1984

Irving Penn

A work made of color woodblock print; oban.

Okitsu: Kiyomigaseki and Seiken Temple (Kiyomigaseki, Seikenji)—No. 18, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of black and white chalk (recto) and black chalk (verso), on blue-brown laid paper.

Standing Draped Male Figure in Three-quarters Profile (recto); Putto (verso), 1540/50

Follower of Fra Bartolommeo

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