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A work made of hemp and wool, plain weave.

Couch Cover, 19th century

Quilt depicting flags from various countries, each waving right, with the American flag in the center, waving to the left.

"Top Sheets" Tobacco Premium Quilt, 1913

Theresa Zett Smith

A work made of silk, twill weave; screen printed.

Panel (Dress or Furnishing Fabric), 1924

Léon Bakst

A work made of cotton, plain weave; screen printed.

Panel Entitled "Femme à marguerite" (Woman with Daisy), c. 1898/1900

Alphonse Marie Mucha

A work made of wool and silk, slit and single interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.6–1.0 mm weft: count: varies from 19 to 44 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.5 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.15–0.5 mm.

The Diversion of the Euphrates from The Story of Cyrus, c. 1670

Workshop of Gillis Ydens

A work made of steel, brass, and textile.

Cuff of a Gauntlet, c. 1550/60

A work made of ink, on paper; screen printed.

Wallpaper and Textile Design, c. 1922

Dagobert Peche

A work made of wool and cotton: slit tapestry weave; embroidered with wool and cotton in heavy chain, herring bone, interlacing and stem stitches; main warp cut fringe, twined and wrapped; added wrapped cut fringe and leather binding stitched with hemp.

Man's Cape (Akhnif), Mid–19th century

Ait Ouaouzguite Confederation

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 6 warps per cm; wool: s-ply of three z-spun elements; diameter: 0.8 mm weft: count: varies from 22 to 48 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.5–0.8 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.3–0.8 mm; wool and silk: three yarns, one yarn of s-ply of two z-spun wool elements and two yarns of s-ply of two z-twisted silk elements; diameters: 0.6–0.9 mm.

Procession of the Fat Ox from a Teniers Series, 1729-1768

Workshop of Daniel IV Leyniers

A work made of wool and silk, slit and double interlocking tapestry weave.

The Stag Hunt, from Pastoral Hunting Scenes, c. 1775

Workshop of Léonard Roby

A work made of silk(?), plain weave; resist-dyed; painted; applied paper elements and reflective material.

Textil + Papel (Textile + Paper), 1991

Aurèlia Muñoz

A work made of silk, plain simple cloth, semi-transparent brocaded with gold wound on yellow silk core; stripes and four corner motifs of red silk and border of gold warp along selvages.

Scarf, 19th century

A work.

Fragment, A.D. 1000/1476

Nasca

A work made of textile samples and reprocessed plastic pallets.

Perfect Pattern, 1999

Dan Peterman

A work made of wool and silk; slit, single, and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.7–0.85 mm weft: count: varies from 32 to 56 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–0.85 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.4–0.8 mm.

Christ Appearing to Mary Magdalene (Noli Me Tangere), 1540/45

Willem de Pannemaker

Detail of a textile with an intricate red and white floral border and a central pattern composed of floral motifs and birds.

Coverlet, 1855

A work made of calabash.

"Ram's Horns" Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of slit tapestry weave.

Patch, A.D. 1000/1476

Lambayeque

A work made of silk, plain weave with supplementary pile warps forming cut, uncut, and voided velvet.

Fragment, Early 17th century

A work made of calabash, sticks, cloth, and string.

"Hairstyle of Court Attendants" Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

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