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A work made of wool and silk, slit and double interlocking tapestry weave.

The Crossing of the Granicus, from The Story of Alexander the Great, 1619

Karel van Mander, II

A work made of cotton, plain weave; screen printed.

Albatrossi (Albatross) (Furnishing Fabric), 1967

Maija Isola

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of four z-spun elements; diameters: 0.6–0.8 mm weft: count: varies from 28 to 54 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.4–0.8 mm; silk: pairs and three yarns of s-ply of two z-twisted elements; diameters: 0.4–1.0 mm.

Caesar's Death Makes Cleopatra Mourn from The Story of Caesar and Cleopatra, c. 1680

Workshop of Gerard Peemans

Half circle of fabric, embroidered with Virgin Mary, saints, prophets, and plant motif.

Cope, 1490-1525, with later restoration

A work made of silk and gilt-metal-strip-wrapped silk, satin weave with supplementary brocading wefts forming weft loops in areas and supplementary pile warps forming cut voided velvet.

Fragment, 1501/50

A work made of linen, embroidered.

Cover (Possibly for a Cushion), 19th/20th century

A work made of rayon and silk, plain weave; screen printed.

Panel (Design No. 104), 1955

Frank Lloyd Wright

A work made of cotton, plain weave; cutwork embroidered with wool in overcast stitch; embroidered with silk and wool in cross, long-armed cross, outline, satin and stem stitches.

Sampler, 1852

Eliza Ryan

A work made of steel, iron, gilding, wood (ash), silk, and silk textile.

Halberd for the Bodyguard of Karl Eusebius, Prince of Liechtenstein, 1632

A work made of cotton and wool, plain weave with supplementary wrapping wefts forming "ghiordes knots" cut pile.

"Swan House" Carpet, Design c. 1883, made 1887

William Morris

A work made of wool and silk, slit and double interlocking tapestry weave.

Archery from Amusements Champêtres (Country Sports), 1770/90

Manufacture Royale d’Aubusson

Panel (Furnishing Fabric)

Panel (Furnishing Fabric), 1960s

Georges Seurat

A work made of cotton plain weave, pieced; appliquéd with cotton, plain weaves; embroidered with cotton and wool wrapped cotton cords of oblique interlacing in running stitches; laid work and couching; edged with cotton, plain weave.

Bedcover, 1877/78

Mrs. M. E. Mohortor

A work made of three panels joined: top panel: stripes of cotton, warp-faced, weft ribbed plain weave patterned with cotton and silk supplementary weft wrapping, songket, and of cotton, warp resist dyed (warp ikat), warp-faced, weft ribbed plain weave; center panel: stripes of cotton, warp-faced, weft ribbed plain weave, and of warp resist dyed (warp ikat), warp-faced, weft ribbed plain weave; bottom panel: stripes of cotton and rayon, warp-faced, weft ribbed plain weave, and of cotton warp resist dyed (warp ikat), warp-faced weft ribbed plain weave.

Textile, 20th century

A work made of cut paper design, mounted on paper with glue.

Textile Design, c. 1915

k. und k. Kunststickereischule

A work made of steel, iron, brass, wood, and textile.

Poleaxe, 1500/10

A work made of appliquéd and embroidered quilt; dyed and undyed cotton plain weave fabrics; cotton embroidery threads; graphite pencil pattern outlines.

State Birds and Flowers Quilt, c. 1950

Dr. Jeannette Dean Throckmorton

A work made of ivory guards and sticks, etched and carved; metal and mother-of-pearl insets; paper mount painted; gold leaf; metal pin with imitation gemstones.

Fan, 18th century

A work made of fiberglass, plain weave; screen printed.

Calder #1 (Furnishing Fabric), 1949/50

Alexander Calder

A work made of linen, bobbin straight lace.

Border, 1750/1800

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