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A work made of cotton and linen, bobbin straight lace of a type known as "mechlin" with a kat stitch mesh ground.

Border, 1901/25

A work made of steel, iron, gilding, oak and silk textile (velvet).

Glaive for the Bodyguard of King of Hungry and Bohemia (Later Emperor) Maximilian II, 1563

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of four z-spun elements; diameters: 0.8–1.0 mm weft: count: varies from 18 to 36 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.4–1.0 mm; silk: three yarns of s-ply of two z-twisted elements; diameters: 0.4–0.8 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.7–0.9 mm.

Caesar in the Gallic Wars from The Story of Caesar and Cleopatra, c. 1680

Workshop of Willem van Leefdael

A work made of silk and cotton, plain weave double cloth of paired warps and wefts.

Black-White-Red, Designed 1926/27, woven 1965

Anni Albers

A work made of wool and silk, slit and double interlocking tapestry weave.

The Outdoor Market, from Village Festivals, 1775/89

Etienne Jeaurat

A work made of wool and jute; knotting; wrapping with inserted fringes.

Free Standing Yellow, 1968

Claire Zeisler

A work made of cotton and linen, plain weave; block printed.

La Moisson (The Harvest), 1920

Raoul Dufy

A work made of linen, plain weave; drawn work embroidered with silk and linen in hem and overcast stitches; embroidered in double running and stem stitches; insert and edge of linen, bobbin straight lace; edged with silk, plain weave extended weft fringe.

Cover, Probably 1601/50

A work made of cotton, plain weave with supplementary pile warps forming cut, solid velvet; screen printed.

Caravan (Furnishing Fabric), 1962

Anita Askild

A work made of cotton, plain weave double cloth.

Tablecloth, c. 1908

Otto Prutscher

A work made of cotton, twill weave with supplementary pile wefts forming cut, solid pile (velveteen); block printed.

Panel (Formerly Furnishing Textiles), Late 1880s/early 1890s

Lewis Foreman Day

A work made of cotton, plain weave; pieced and appliquéd with cotton, plain weave; batting; backed with cotton, plain weave; appliquéd areas embroidered in buttonhole, chain, running, and stem stitches.

"Sunbonnet Sue" Quilt, 1920s

Maggie Carson

A work made of wooden box; covered with silk, satin weave; appliquéd with silk and linen, plain weaves and twill plaited tapes; embroidered with silk, metal threads, and linen in a variety of stitches; laid work, buttonhole couching, couching, and french knots; mica and pearls; edged with woven tape; silver feet.

Dressing Box Depicting the Finding of Moses and Scenes from Abraham and Hagar, Third quarter of the 17th century

A work made of wood.

Carved Box Incised with Figures, Birds, and Textile Patterns, 1000–1532

Chancay

A work.

Fragment

A work made of cotton, rayon, and polyester, six-color complementary warp and four-color complementary weft plain weave double cloth, self-patterned by areas of warp floats.

Circa 1926 Serious (Furnishing Fabric), 1991

Rob Rose

A work made of wool and cotton, plain weave with patterning warps.

Belt (Chumpi), Probably late 19th/early 20th century

Quechua

A work made of linen, plain weave; beaded with glass beads; backed with cardboard; lined with silk, plain weave with supplementary patterning wefts.

Basket Insert, 1662

A work made of wool and silk, slit and double interlocking tapestry weave.

A Panel from a Porticoes Series, 1775/1800

Jean-Baptiste Oudry

A work made of cotton, plain weave; screen printed.

Stones of Bath (Furnishing Fabric), 1962

John Piper

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