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A work made of linen, plain weave; block printed.

Amenophis (Dress or Furnishing Fabric), 1913

Roger Eliot Fry

A work made of cotton, plain weave; painted.

Painted Textile, c. 1000

Chancay

A work made of silk; printed.

Cover (Furnishing Fabric), 19th century

A work made of linen, plain weave; screen printed.

Skyline (Furnishing Fabric), 1958

Eleanor Kluck

A work made of wool and linen, plain weave; embroidered with wool, silk, cotton and linen in chequered chain, double running, herringbone, threaded herringbone, pattern darning, satin and stem stitches; silk, cotton and linen wrapped cut tassels; top edge: linen and wool, weft twining; warp fringe wrapped with wool and embroidered with silk in compound cross stitches: lower edge: silk, centered weft twining; edged with cotton wrapped cord; silk and cotton wrapped cut tassels.

Headscarf, Early 20th century

Ida Ou Nadif

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of four z-spun elements; diameters: 0.8–1.0 mm weft: count: varies from 18 to 32 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.4–0.8 mm; silk: pairs and three yarns of s-ply of two z-twisted elements; diameters: 0.4–1.1 mm.

Clodius Disguised as a Woman from The Story of Caesar and Cleopatra, c. 1680

Workshop of Gerard Peemans

A work.

Panel, 17th century

A work made of linen, plain weave; embroidered with linen and silk in pulled thread work in chained border, overcast, and two-sided italian cross stitches; embroidered in satin, single satin, stem, and stem filling stitches; couching; edged with silk, plain weave tape.

Part of an Antependium (Depicting The Last Supper), 1300/10

A work made of linen, plain weave; edged with linen, bobbin straight lace of a type known as "valenciennes" with a square valenciennes mesh ground.

Handkerchief, 1901/25

A work made of silk, cotton, and wool, variety of plain satin and twill weaves; some with supplementary and/or complementary elements; some with self-patterning elements, and some printed; pieced; quilted; edged with silk, plain weave.

Bedcover, 1904/05

Medora Ann Welsh

A work made of cotton, plain weave; copperplate printed.

The Elements (Furnishing Fabric), 1810/20

Bonaventure M. Lebert

A work made of jute, macramé (flat knots); wrapped with wool; self-fringe; some knotted; some wrapped; metal stand.

Symbolic Poncho, 1971

Claire Zeisler

A work made of calabash, sticks, cloth, and string.

Concentric Circles-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of wool and silk, slit and double interlocking tapestry weave.

The Tent, from an Indo-Chinese or Indian Series, 1700/25

John Vanderbank

A work made of wool, silk, and gilt-metal-strip-wrapped silk, slit and double interlocking tapestry weave with wrapping outlining wefts and areas of 4:4 plain interlacing of gilt-metal-strip-wrapped silk wefts.

Medici Armorial, 1643/44

Lorenzo Lippi

A work made of cotton, plain weave; copperplate printed.

Neptune or L'Empire de la Mer (Neptune or the Empire of the Sea) (Furnishing Fabric), c. 1795

Petitpierre et Cie.

A work made of cotton, plain weave; screen printed.

Siamese Ballet, 1950/55

Edward Daly Brown

A work made of cotton, pieced plain weaves; some printed; some glazed; backed with paper.

Unfinished Mosaic or Honeycomb Quilt Top, c. 1840

A work made of cotton, plain weave; copperplate printed.

A Visit to the Camp (Furnishing Fabric), c. 1785

Henry William Bunbury

A work made of linen, slit tapestry weave.

Fragment, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

Islamic

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