A work made of linen, plain weave; block printed.

Frucht Korb (Fruit Basket) (Dress or Furnishing Fabric), 1920/27

Elisabeth Raab

A work made of ink, colors, and gold on silk.

Kasuga Deer Mandala, 15th century

Mandara Shika

A work made of wool, plain weave; tied and free double cloth.

Landis II (Furnishing Fabric), c. 1970

Richard Landis

A work made of silk, satin weave with self-patterning ground wefts bound by main warps in twill interlacings.

La Cour de Chine, c. 1918/24

Raoul Dufy

A work made of linen, plain weave; embroidered with silk in cross stitches.

Sampler, Early/mid–19th century

A work made of steel, iron, gilding, wood, and silk textile (velvet).

Arming Sword, 1520/30

A work made of appliquéd and embroidered quilt; dyed and printed cotton, wool and silk plain, twill, satin, velvet and patterned weave fabrics; silk embroidery threads.

Quilt with Buildings, Animals, and Coats of Arms, c. 1890

A work made of linen, plain weave; embroidered with silk in closed herringbone, satin, stem, and twined double running stitches.

Cushion Cover, 18th century

A work made of cotton, plain weave; roller and engraved roller printed.

Handkerchief, c. 1876

John Trumbull

A work made of silk and gilt-animal-substrate-wrapped linen, twill weave with twill interlacings of secondary binding warps and supplementary patterning wefts.

Fragment, 1425/75

A work made of cotton, twill weave; copperplate printed.

Handkerchief, 1860/1900

Celestin Nanteuil

A work made of wool, cotton, and silk, twill weaves and plain weave cut solid velvet, some stamped; pieced; embroidered with silk in back, single back, buttonhole, chain, detached chain, feather, double feather, herringbone, satin, single satin, and stem stitches; backed stitch couching; edged with cotton, plain weave; backed with cotton, satin weave; sewn with cotton thread.

Bedcover Entitled "Genealogy", 1896

Catharine L. Clark

A work made of cotton, needle lace of a type known as "point de gaze".

Dress Flounce, 1860s (probably 1862 or 1867)

A work made of raffia fiber.

Boy's Cap, 19th–early 20th century

Kongo

A work made of cotton, plain weave; engraved roller printed.

La Marchande d'Amour (The Merchant of Love) (Furnishing Fabric), 1815/17

Louis Hippolyte LaBas

A brightly colored printed fabric shows the repeating image of a barn and white house surrounded by trees and foliage in shades of green, yellow, brown, and purple. Farm animals, including cows and horses, are seen throughout, as are numerous human figures.

Childhood Home (Furnishing Fabric), c. 1952

Grandma Moses (Anna Mary Robertson Moses)

A work made of silk, cotton, and gilt-metal-strip-wrapped cotton, satin weave with twill interlacings of secondary binding warps and patterning wefts.

Panel (Furnishing Fabric), 1885/90

Alexander Morton & Co.

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk floss and yarns, gilt-metal-strip-wrapped silk, gilt metal purl and cardboard in brick, overcast, running, satin, and split stitches; couching, padded couching and laid work; french knots, braided pom pons and seed pearls; in tortoise-shell frame.

Mirror Showing King Charles II, Queen Catherine of Braganza, and Scenes from the Old Testament, c. 1665

A work made of linen, plain weave; block printed.

Amenophis (Dress or Furnishing Fabric), 1913

Roger Eliot Fry

A work made of wool, dovetail and single interlocking tapestry weave; edges finished with three strand weft twining with four knotted corner tassels.

Sandpainting Tapestry, c. 1925

Hosteen Klah