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A work made of silk and cotton, plain weave; block printed.

Santa Sofia, 1910/12

Josef Hoffmann

A work made of linen, plain weave; screen printed.

Abacus (Furnishing Fabric), 1951

Paul Rand

A work made of ceramic and pigment.

Drum-Shaped Vessels with Textile Motif, 1450–1532

Inca

A work made of linen and cotton, weft-float faced twill weave; embroidered with wool yarns in chain, detached chain, satin, single back, and stem stitches; french knots; edged with wool, twill woven tape.

Panel, 1675/1700

A work made of cotton and polyester, plain weave.

Wintertree (Furnishing Fabric), 1968

Larsen Design Studio

A work made of steel, iron, gilding, oak, and silk textile (velvet).

Glaive for the Bodyguard of Emperor Maximilian II, 1564

Jörg Hopfer

A work made of appliquéd and embroidered quilt; dyed and undyed cotton plain weave fabrics; cotton embroidery threads; graphite pencil pattern outlines.

State Birds and Flowers Quilt, c. 1950

Dr. Jeannette Dean Throckmorton

A work made of silk and linen, satin weave with brocading wefts; painted.

Panel, c. 1775

Philippe de La Salle

A work made of linen, cotton, and rayon, plain weave; double cloth.

Bathmat (Furnishing Fabric), c. 1950s

Alvar Aalto

A work made of cotton and wool, double weave; two loom widths joined.

Coverlet, 1833

A work made of brocaded.

Panel, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of cotton and rayon, plain weave self patterned by main warps and ground weft floats; roller printed.

Deer Season (Furnishing Fabric), 1950

Rockwell Kent

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 10 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.5–0.7 mm weft: count: varies from 20 to 48 wefts per cm: wool: s-ply of two z-spun elements; diameters: 0.3–0.8 mm; silk: pairs and three yarns of s-ply of two z-twisted elements; paired yarns of s-ply of two z-twisted elements and single z-twisted element; diameters: 0.4–0.85 mm.

Caesar Embarks by Boat to Join His Army from The Story of Caesar and Cleopatra, c. 1680

Workshop of Gerard Peemans

A work made of wool, broken twill weave; fulled; embroidered with wool and silk in back, individual back, looped back (cut to form pile), chain, feather, fly, long-armed cross, satin, individual satin, and stem stitches; lined with cotton, plain weave; roller and possibly block printed; glazed.

Bedcover, c. 1849

Rebecca C. Hayward

A work made of linen, plain weave; embroidered with silk floss, and gilt- and silvered-metal-strip-wrapped silk in tent stitches; padded couching.

Fragment, 17th century

A work made of design in gold, red, blue, green and white on greyish-blue ground. horizontal rows of floral butes turned alternately in opposite direction, surrounded by smaller butes and flowers. lined. satin..

Fragment (Dress Fabric), 1801/1850

A work made of gouache on three prepared papers; flush joining technique.

Design for a Textile or Wallpaper, 1984

Terry A. Gentille

A work made of graphite and paint, on paper; painted.

Design for a Textile or Wallpaper, c. 1921

Wilhelm Lichtmann

A work made of silk, warp-float faced satin weave, pleated; with silk braid and glass beads.

Delphos (Dress), 1901/25

Mariano Fortuny y Madrazo

A work made of steel, iron, gilding, oak and silk textile (velvet).

Glaive for the Bodyguard of King of Hungry and Bohemia (Later Emperor) Maximilian II, 1563

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