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A work made of cotton and wool, plain weave double cloth; woven on loom with jacquard attachment; two loom widths joined.

Coverlet, 1843

James Cunningham

A work made of ceramic and pigment.

Drum-Shaped Vessels with Textile Motif, 1450–1532

Inca

A work made of silk and gilt-animal-substrate-wrapped linen, warp-float faced satin weave with twill interlacings of secondary binding warps and supplementary patterning wefts.

Fragment (From an Orphrey Band), 15th century

A work made of gouache on three prepared papers; flush joining technique.

Design for a Textile or Wallpaper, 1984

Terry A. Gentille

A work made of graphite and paint, on paper; painted.

Design for a Textile or Wallpaper, c. 1921

Wilhelm Lichtmann

A work made of steel, iron, gilding, wood (ash), silk, and silk textile.

Halberd for the Bodyguard of Karl Eusebius, Prince of Liechtenstein, 1632

A work made of ink, on paper; screen printed.

Wallpaper and Textile Design, c. 1922

Dagobert Peche

A work made of wool and silk, slit and double interlocking tapestry weave.

Caesar Defeats the Troops of Pompey from The Story Caesar and Cleopatra, c. 1680

Geraert Peemans

A work made of silk and gilt-metal strips, plain weave with supplementary facing wefts and supplementary pile warps forming cut and uncut voided velvet.

Fragment, 1575/1625

A work made of wool and silk, slit and double interlocking tapestry weave.

Tapestry (Four Servants), c. 1650

Jan van Leefdael

A work made of wax-printed cotton fabric, fiberglass.

Big Boy, 2002

Yinka Shonibare

A work made of steel, iron, brass, wood, and textile.

Poleaxe, 1500/10

A work made of wool, slit tapestry weave. warp: count: 3–4 warps per cm; wool: s-ply of two z-spun elements; diameters: 1.0–1.2 mm weft: count: varies from 10 to 17 wefts per cm; wool: single s-spun elements; diameters: 0.5–1.2 mm.

Camel Riders, presumably from a Wild Man series, 1475/1510

A work made of linen, plain weave; pulled thread work embroidered with silk in back, double running, and two-sided italian cross stitch; edged with silk and linen fringe of oblique twill interlacing with two-color supplementary weft uncut fringe.

Border, 1601/25

A work made of wool and silk, slit and dovetailed tapestry weave. warp: count: 6 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.4–0.7 mm weft: count: varies from 16 to 38 wefts per cm; wool: s-ply of two z-spun elements; pairs of s-ply of two z-spun elements; paired yarns of s-ply of two z-spun elements and a single z-spun element; diameters: 0.4–1.5 mm; silk: s-ply of two z-twisted elements (may be replacement wefts); diameters: 0.4–1.0 mm; wool and silk; paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 1.0–1.4 mm. three-quarters of piece rewoven.

Justitia (Justice) from Los Honores, 1525/32

Bernard van Orley

Vertical textile panel featuring a floral pattern with leaves in yellow, orange, pink, white, and green on a black background.

Panel, Early 18th century

A work made of wool and silk; slit and single and double dovetailed tapestry weave. warp: count: 5–6 warps per cm; wool: s-ply of two z-spun elements; diameter: 1.0 mm weft: count: varies from 16 to 24 wefts per cm; wool: s-ply of- two z-spun elements; pairs of s-ply of two z-spun elements; diameters: 0.3–1.5 mm; silk: three yarns of s-ply of two z-twisted elements; diameters: 0.4–0.6 mm.

Tapestry (Bear Hunt and Falconry from a Hunts Series), c. 1525

A work made of linen, plain weave; pulled thread work embroidered with silk back, running and two-sided italian cross stitches; edged with darning stitch.

Two Border Fragments, Late 16th/early 17th century

A work made of cotton, needle lace.

Borders, 1875/1900 (based on French lace of 1760s)

A work made of wool and silk, slit and double interlocking tapestry weave.

The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob, from The Story of Jacob, 1560/68

Jan van Tiegen

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