Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silk, satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts and brocading wefts.

Fragment Entitled "Fruits", 1914

François Vernay

A work made of linen, plain weave; screen printed.

Sugaring Off (Furnishing Fabric), c. 1952

Grandma Moses (Anna Mary Robertson Moses)

A work made of cut and uncut velvet.

Fragment, 1600/25

A work made of wool, spanish knots on plain weave ground.

Carpet, 1450/1500

A work made of cotton, plain weave with supplementary patterning wefts.

Ceremonial Cloth (tampan), Mid–19th century

Paminggir

A work made of cotton, plain weave; screen printed.

Animal Forms (Furnishing Fabric), 1942

Angelo Testa

A work made of cotton, velveteen; batik printed.

Waterlilies (Furnishing Fabric), 1960s

Jack Lenor Larsen

A work made of silk and wool, plain weave and plain weave double cloth (areas stuffed) with areas of gauze interlacing and knotting technique known as macramé (bead, flat, and half knots); crochet and cut main warp fringe.

Hanging, 1960s

Claire Zeisler

A work made of cotton, plain weave; embroidered in tent stitch.

Les Saltimbanques (The Entertainers), 1972/74

Gloria DiTomaso

A work made of cotton, plain weave; screen printed.

Kaivo (Well) (Furnishing Fabric), 1965

Maija Isola

A work made of cotton, warp-float faced satin weave; screen printed.

Linoleum (Furnishing Fabric), 1980

Tony Costanzo

A work made of cotton, plain weave; screen printed.

Käspaikka (Flowerhead) (Furnishing Fabric), 1959

Maija Isola

A work made of cotton, plain weave, copperplate printed.

Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric), c.1794

Jean Baptiste Huet

A work made of cotton, plain weave; copperplate printed.

L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric), c. 1790

Jean Baptiste Huet

A work made of silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed.

Panel from a Lady's Evening Tunic, c. 1920

Maria Monaci Gallenga

A work made of cotton, plain weave; screen printed.

Fruit Trees (Furnishing Fabric), 1960

Alexander Girard

A work made of cotton, plain weave; supplementary pile warps forming cut, solid velvet; printed.

Spice Garden (Furnishing Fabric), 1981

June Groff

A work made of wool and silk, slit and double interlocking tapestry weave. warp; count; 8 warps per cm; wool; s-ply of four z-spun elements; diameter: 1.0 mm weft: count: varies from 20 to 36 wefts per cm; wool: single s-spun elements; s-ply of two z-spun elements; pairs of s-ply of two z-spun elements; paired yarns of single s-spun elements and s-ply of two z-spun elements; three yarns of s-ply of two z-spun elements; diameters: 0.35–1.0 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.7–0.9 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; paired yarns of s-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–0.85 mm.

October, 1525/50

Follower of Bernard van Orley

A work made of cotton, plain weave; copperplate printed.

“Paul and Virginie” Furnishing Fabric, c. 1795

Petitpierre et Cie.

A work made of cotton, plain weave; embroidered with cotton and wool (camelid) in stem stitches.

Fragments (Border), 100 B.C./A.D. 200

Nasca

<<<40414243 >>>