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A work made of cotton, plain weave; screen printed.

Käspaikka (Flowerhead) (Furnishing Fabric), 1959

Maija Isola

A work made of silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed.

Panel from a Lady's Evening Tunic, c. 1920

Maria Monaci Gallenga

A work made of cotton, plain weave with discontinuous wefts; openwork; resist dyed.

Ceremonial Textile (mbesa tali tau batu or pewo), 18th/19th century

Rongkong

A work made of cotton, plain weave; embroidered with cotton and wool (camelid) in stem stitches.

Fragments (Border), 100 BCE-200 CE

Nasca

A work made of cotton, plain weave; copperplate printed.

L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric), c. 1790

Jean Baptiste Huet

A work made of cotton, plain weave, copperplate printed.

Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric), c.1794

Jean Baptiste Huet

A work made of cotton, plain weave; screen printed.

Kaivo (Well) (Furnishing Fabric), 1965

Maija Isola

A work made of cotton, warp-float faced satin weave; screen printed.

Linoleum (Furnishing Fabric), 1980

Tony Costanzo

A work made of cotton, plain weave; copperplate printed.

“Paul and Virginie” Furnishing Fabric, c. 1795

Petitpierre et Cie.

A work made of linen, slit tapestry weave.

Fragment, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

A work made of silk, plain weave; batik dyed.

Bookcover, c. 1910

Louis Comfort Tiffany

A work made of silk, satin weave, with needlework.

Woman's Shoes, Qing dynasty (1644–1911), 19th century

A work made of cotton, plain weave; screen printed.

Fruit Trees (Furnishing Fabric), 1960

Alexander Girard

A work made of cotton, plain weave; supplementary pile warps forming cut, solid velvet; printed.

Spice Garden (Furnishing Fabric), 1981

June Groff

A work made of wool and silk, slit and double interlocking tapestry weave warp; count; 8 warps per cm; wool; s-ply of four z-spun elements; diameter: 1.0 mm weft: count: varies from 20 to 36 wefts per cm; wool: single s-spun elements; s-ply of two z-spun elements; pairs of s-ply of two z-spun elements; paired yarns of single s-spun elements and s-ply of two z-spun elements; three yarns of s-ply of two z-spun elements; diameters: 0.35–1.0 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.7–0.9 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; paired yarns of s-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–0.85 mm.

October, 1525-1550

Circle of Bernard van Orley

A work made of raffia, plain weave; embroidered in overcast and stem with running stitches cut to form pile; couching.

Panel, Early/mid–20th century

Kuba

A work made of cotton and linen, plain weave; screenprinted.

Rhythm (Furnishing Fabric), 1972

Eleanor Kluck

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in chain, crossed back, cross, running (pattern darning), satin and stem stitches; joined by silk, needle-made inserts and linen, bobbin straight lace tape; four loom widths joined.

Bedcover, 17th century

A work made of cotton and silk, plain weave with supplementary pile warps forming cut, solid velvet; stenciled.

Cushion Cover, 1911

Maria Monaci Gallenga

A work made of cotton and rayon, weft-float faced satin weave; screen printed.

Panel (Design 101), 1955

Ling Po

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