Results for Silk%20Road%2C%20Resources%20for%20Teachers

A work made of linen, plain weave; embroidered with silk in cross stitches.

Sampler, 1833

Sophia Middleton

A work made of silk, cotton, wool, rayon, and acetate, plain weaves, some with creped wefts, some with supplementary pile warps and/or wefts forming cut solid velvet and some with self-patterning ground wefts; some printed; twill weaves; satin weaves, some with creped wefts; and double-sided satin weave of complementary warps and wefts, secondary binding warps and main warp floats cut to form "velours au sabré"; pieced; appliquéd with cotton, silk, and rayon, plain weave and satin weaves; some with creped wefts; some printed; embroidered with cotton and rayon, in back, bullion, buttonhole, chain, detached chain, open chain, feather, fly, herringbone, interlooping, overcast, satin, single satin, sheaf filling and stem stitches; french knots and couching, edged with rayon, plain weave with supplementary pile warps forming cut solid velvet, each square backed with cotton, plain weave.

Figurative 'Crazy Quilt', c. 1929/41

A work made of steel cut beads; silk crochet; steel findings; trimmed with spiraled wire and beads strung and joined in pattern.

Miser Bag, 1801/50

A work made of silk and gilt-animal-substrate-wrapped silk, weft-faced three-color complementary weft plain weave with inner warps.

Fragment From the Chasuble of San Valero, 13th century

A work made of silk and gold-leaf-over-lacquered-paper strips, 1:1 plain gauze weave with supplementary brocading wefts; cuff trim: silk, plain weave; neck trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave self-patterned by areas of 1:1 plain gauze crossings; cuffs lined with silk, plain weave; metal buttons.

Man's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1720/40

Manchu

A work made of embroidered in silver and gold metal wrapped fiber cord, silver frisé, silk floss, silk plain weave fabric for appliqué, twisted silk (2-ply), lining "silver purl" silver "plate", cord; couching in pattern over cord, couching; satin, long and short, stem, and couched filling stitches; french knot.

Altar Back, 19th century

A work made of linen, plain weave; embroidered with silk in cross, eyelet, and satin stitches.

Sampler, c. 1785

Elizabeth Nicholls

A work made of linen, plain weave; embroidered in polychrome silk yarns in chain and running stitches.

Panel, 18th century, Queen Anne period

A work made of silk and gilt-metal-strip-wrapped silk; satin weave with secondary binding warps and supplementary patterning wefts.

Fragment, 15th century

A work made of horn, silk, brass, and upholstery.

Steer Horn Armchair, 1870–80

Artist unknown

A work made of silk and cotton, plain weave double cloth of paired warps and wefts.

Black-White-Red, Designed 1926/27, woven 1965

Anni Albers

Eight ink still life drawings of stacked bookcases.

Chaekgeori, late 19th -early 20th century

A work made of linen, plain weave; embroidered with silk and wool in tent stitches.

Panel (From a Settee), 1745/55

A work made of pineapple fiber, plain weave (pina cloth); cut and drawnwork embroidered with silk and cotton in cross, darned squared, darned wheels, interlocking, satin, and single faggot stitches; embroidered with cotton in the back, buttonhole, padded satin, and twined double running stitches.

Handkerchief, c. 1840

White silk kimono with stenciled yellow flowers and turquoise stems.

Summer Kimono (Hitoe), About 1900–1916

A work made of album leaf; ink and colors on silk.

Woman with Female Servant in a Palace Garden, Yuan or early Ming dynasty, late 14th/15th century

A work made of linen, plain weave; pulled thread work; embroidered with silk floss and linen yarns, in black, double faggot, hem interlocking, loop, overcast, russian overcast, and wave stitches; embroidered with silk floss in back, cross, double running, long-armed cross, satin and stem stitches.

Sampler, 1815

A work made of linen, plain weave; quilted embroidered with silk floss in darning and back stitches; original silk fringe and tassels.

Bedcover, Late 17th century

Indo-Portuguese

A work made of silk, satin weave with brocading wefts and secondary binding warps tying some ground wefts in plain interlacing.

Panel, c. 1736

Style of Jean Revel

A work made of silk, plain simple cloth.

Sampler, 1833

Figurative 'Crazy Quilt', c. 1929/41

Miser Bag, 1801/50

Fragment From the Chasuble of San Valero, 13th century

Man's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1720/40

Altar Back, 19th century

Sampler, c. 1785

Panel, 18th century, Queen Anne period

Fragment, 15th century

Steer Horn Armchair, 1870–80

Black-White-Red, Designed 1926/27, woven 1965

Chaekgeori, late 19th -early 20th century

Panel (From a Settee), 1745/55

Handkerchief, c. 1840

Summer Kimono (Hitoe), About 1900–1916

Woman with Female Servant in a Palace Garden, Yuan or early Ming dynasty, late 14th/15th century

Sampler, 1815

Bedcover, Late 17th century

Panel, c. 1736

Fragment, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

Sampler, 1833

Figurative 'Crazy Quilt', c. 1929/41

Miser Bag, 1801/50

Fragment From the Chasuble of San Valero, 13th century

Man's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1720/40

Altar Back, 19th century

Sampler, c. 1785

Panel, 18th century, Queen Anne period

Fragment, 15th century

Steer Horn Armchair, 1870–80

Black-White-Red, Designed 1926/27, woven 1965

Chaekgeori, late 19th -early 20th century

Panel (From a Settee), 1745/55

Handkerchief, c. 1840

Summer Kimono (Hitoe), About 1900–1916

Woman with Female Servant in a Palace Garden, Yuan or early Ming dynasty, late 14th/15th century

Sampler, 1815

Bedcover, Late 17th century

Panel, c. 1736

Fragment, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century