Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silk and gold-leaf-over-lacquered-paper strips, 1:1 plain gauze weave with supplementary brocading wefts; cuff trim: silk, plain weave; neck trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave self-patterned by areas of 1:1 plain gauze crossings; cuffs lined with silk, plain weave; metal buttons.

Man's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1720/40

Manchu

A work made of silk, plain weave with supplementary brocading wefts.

Commemorative Bookmark "A Tribute of Affection", 19th century

Thomas Stevens

A work made of earthenware with polychrome pigments.

Female Musician, Tang dynasty (A.D. 618–907), late 7th/early 8th century

A work made of silk, satin weave with brocading wefts and secondary binding warps tying some ground wefts in plain interlacing.

Panel, c. 1736

Style of Jean Revel

A work made of album leaf; ink and colors on silk.

Woman with Female Servant in a Palace Garden, Yuan or early Ming dynasty, late 14th/15th century

A work made of silk, bobbin straight lace (made in horizontal strips).

Bonnet Veil, 1850s

A work made of cotton, silk, polyester window covering, upholstery.

I Morosi Alla Finestra, 2002

Gio Ponti

White silk kimono with stenciled yellow flowers and turquoise stems.

Summer Kimono (Hitoe), About 1900–1916

A work made of horn, silk, brass, and upholstery.

Steer Horn Armchair, 1870–80

Artist unknown

A work made of linen, plain weave; embroidered with silk.

Sampler, 17th century

A work made of persian silk piece. light silk; small flower spray.

Fragment (Dress Fabric), 18th/19th century

A work made of silk and cotton, plain weave double cloth of paired warps and wefts.

Black-White-Red, Designed 1926/27, woven 1965

Anni Albers

A work made of linen, plain weave; embroidered with silk and wool in tent stitches.

Panel (From a Settee), 1745/55

A work made of silk, twill weave with supplementary patterning wefts and supplementary binding warps.

Narrow Strip, 15th century

Islamic

A work made of silk, warp-float faced 7:1 satin weave; patterned with impressed gold leaf; lined with silk, plain weave; dyed with beni, safflower.

Surihaku (Noh Costume), Edo period (1615–1868), 1775/1825

A work made of silk, twill weave; screen printed.

Panel (Dress or Furnishing Fabric), 1924

Léon Bakst

A work made of linen, plain weave; embroidered with silk in cross stitch.

Sampler, 1814

A work made of five panels joined: three panels of stripes of silk and cotton, warp resist dyed (warp ikat) plain weave (paired warps), stripes of warp-faced, weft ribbed plain weave with supplementary brocading wefts and one stripe of cotton, plain weave; embroidered with silk in back, double running, stem and surface satin stitches and two panels of cotton, plain weave; embroidered with silk in back, stem and surface satin stitches.

Woman's Ceremonial Skirt (tapis), 18th century (?)

Paminggir

A work made of steel, wood, silk, and brass.

Bill (Ronca), 16th century

A work made of linen, plain weave; bands of cut and drawn thread work in interlocking lace and romanian stitches; bands of linen, needle lace of a type known as "reticello"; and embroidered with silk in algerian eye, hem, montenegrin cross, running, double running, and satin stitches; buttonhole couching.

Sampler, 1676

Katherine Veren

<<<28293031 >>>