Results for Silk%20Road%2C%20Resources%20for%20Teachers

A work made of silk, plain weave; screen printed.

Flying Buttresses, 1935

Walter Dorwin Teague

A work made of silk, satin weave; underlaid with linen, plain weave; embroidered with silk, gilt-metal-strip-wrapped silk and gilt-metal-strips in crossed back, running, satin, and split stitches; laid work, couching, and padded couching; beaded with coral beads; edged with woven tapes.

Cope, 1601/75

A work made of cotton, wool, rayon, acrylic, acetate, linen, silk and polyolefin, warp-dyed complementary warp, twill and mix-float weaves with discontinuous wefts.

Approaching Change, 1997

Cynthia Schira

A work made of linen, plain weave; embroidered with silk.

Border, Early 17th century

A work made of silk, twill weave; screen printed.

Scarf, 1970

Paul Rebeyrolle

A work made of silk, plain weave with supplementary patterning warps.

Panel, 1752

Anna Maria Garthwaite

A work made of silk, plain weave with supplementary brocading wefts.

"The Present Time", After 1879

Thomas Stevens

A work made of silk and gilt-paper strip; twill weave with secondary binding warps and supplementary patterning wefts, with couched plied silk.

Kesa, 18th century, Edo period (1615–1868)

Dorian Gray, 1945

Ivan Albright

A work made of silk, weft-rib plain weave; embroidered in silk threads, gilt strip wound around a silk core, silk chenille threads, creped silk and metal coils in french knots, satin, outline and cross stitches, laid work, couching and paper padded couching; braid: silk and gilt strip wound around a silk core, plain weave with supplementary patterning wefts; lining: cotton, plain weave; glazed.

Chasuble, 18th century

A work made of silk, plain weave with supplementary patterning warps and supplementary patterning and brocading wefts bound in weft-float faced 1:3 twill interlacings.

Panel, c. 1735

Style of Jean Revel

A work made of silk and cotton, 7:1 warp-float faced satin weave with 1:2 'z' twill interlacing of secondary binding warps and supplementary patterning wefts.

Kelty, 1922

W. J. Coombes

Scarf, 1972

Pablo Palazuelo

A work made of hanging scroll; ink and colors on silk.

Beauty About to Bathe, Qing dynasty (1644–1911), 18th century

Vase Depicting a Phoenixlike Bird, 1700–50

Talavera Poblana

A work made of silk, warp-float faced satin weave with supplementary pile warps forming cut voided velvet.

Fragment, 1450-1500

A work made of silk, plain weave; batik dyed.

Bookcover, c. 1910

Louis Comfort Tiffany

A work made of etching and engraving in black on silk, satin weave.

The Holy Family with Saint John and Saint Elizabeth, 1620

Lucas Emil Vorsterman

A work made of silk, satin weave; brocaded.

Panel (Dress Fabric), 18th century

A work made of album leaf; ink and colors on silk.

Flying Buttresses, 1935

Cope, 1601/75

Approaching Change, 1997

Border, Early 17th century

Scarf, 1970

Panel, 1752

"The Present Time", After 1879

Kesa, 18th century, Edo period (1615–1868)

Dorian Gray, 1945

Chasuble, 18th century

Panel, c. 1735

Kelty, 1922

Scarf, 1972

Beauty About to Bathe, Qing dynasty (1644–1911), 18th century

Vase Depicting a Phoenixlike Bird, 1700–50

Fragment, 1450-1500

Bookcover, c. 1910

The Holy Family with Saint John and Saint Elizabeth, 1620

Panel (Dress Fabric), 18th century

Portrait of a Gentleman, Yuan dynasty (1260–1368) or Ming dynasty (1368–1644)

Flying Buttresses, 1935

Cope, 1601/75

Approaching Change, 1997

Border, Early 17th century

Scarf, 1970

Panel, 1752

"The Present Time", After 1879

Kesa, 18th century, Edo period (1615–1868)

Dorian Gray, 1945

Chasuble, 18th century

Panel, c. 1735

Kelty, 1922

Scarf, 1972

Beauty About to Bathe, Qing dynasty (1644–1911), 18th century

Vase Depicting a Phoenixlike Bird, 1700–50

Fragment, 1450-1500

Bookcover, c. 1910

The Holy Family with Saint John and Saint Elizabeth, 1620

Panel (Dress Fabric), 18th century

Portrait of a Gentleman, Yuan dynasty (1260–1368) or Ming dynasty (1368–1644)