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A work made of cellulose acetate, interworked elements; embellished with silk in needleworked spots; stiffened.

Crazy Circulation, 1996

Betty Boulez-Cuykx

A work made of two widths joined: silk and silvered-and gilt-metal threads wrapped cotton, plain weave with supplementary patterning and brocading wefts.

Ceremonial Shoulder Cloth (Kain songket lepus)

A work made of cotton, plain weave with supplementary wool yarns forming hooked cut and uncut pile; attached wool tassels embellished with plain oblique interlacing, knotting, plaiting, and wrapped with wool, hemp, silk and linen yarns.

Whiskered Rug, 1970s

Angelo Testa

A work made of appliquéd and embroidered quilt; dyed and printed cotton, silk, rayon and acetate plain, twill and satin weave fabrics; cotton embroidery threads.

"Mother-in-Law" Quilt, c. 1930

Lulu Bennett

A work made of linen, plain weave; embroidered with wool, silk and gilt-metal-strip-wrapped silk in cross, half cross, plaited and tent stitches.

Table Carpet, 1600/10

Large tapestry depicts Chinese emperor heading to sea in opulent ceremony.

The Emperor Sailing, from The Story of the Emperor of China, 1716/22

Guy-Louis Vernansal

A work made of gray earthenware, slip-coated with polychrome pigments.

Winged Beast (Tomb Figure), Western Han dynasty (206 B.C.–9 A.D.)

A work made of silk and gilt-animal-substrate-wrapped silk, weft-faced three-color complementary weft plain weave with inner warps.

Fragment From the Chasuble of San Valero, 13th century

Islamic

Chang E, The Moon Goddess

Chang E, The Moon Goddess, Yuan or early Ming dynasty, c. 1350/1440

A work made of silk and gilt-animal-substrate-wrapped silk; satin weave with secondary binding warps and supplementary patterning wefts.

Fragment with Nasrid Coat of Arms, Nasrid Dynasty (1232–1492), c. 1400

Islamic

A work made of earthenware with three-color (sancai) lead glazes.

Camel and Rider, Tang dynasty (618–907), first half of 8th century

A work made of silk, satin weave with brocading wefts tied in twill weave.

Panel, c. 1775

Philippe de La Salle

A work made of silk, plain weave with twill interlacings of secondary binding warps and gilt-animal-substrate-wrapped silk supplementary facing wefts; supplementary pile warps forming cut voided velvet; edged with gilt-metal-strip-wrapped silk, bobbin-made tape; lined with silk, plain weave.

Chasuble, Late 13th/14th century

A work made of silk, plain weave; screen printed.

Scarf, 1960

Alberto Giacometti

A work made of silk, twill weave; self-fringed; screen printed.

Blues (Shawl), 1977 (designed 1920)

Sonia Delaunay-Terk

A work made of linen, plain weave; backed with cotton, plain weave; embroidered with silk and linen and gilt-metal-strip-wrapped silk in stem, satin, long and short, padded satin and variations on buttonhole stitches; french knots; laid work and couching; glass beads.

Wie das Gras (Like the Grass), 1977

Lissy Funk

A work made of silk, satin weave with supplementary pile warps forming cut, voided velvet; stamped.

Panel, 15th century

Golden six-paneled screen painted with blue mountains and whispy dark green trees, a red structure with figures at left.

The Gathering at the Orchid Pavilion (front); Geese among Reeds (back), 1900

Noguchi Shohin

A work made of hanging scroll; ink and color on silk.

Portrait of Ichikawa Danjuro II as Kamakura no Gongorô, 1736

Furuyama Moromasa

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in plaited braid and tent stitches; raised darning.

Book Cover for Book of Psalms, Prayers, and Hymns, 17th century

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