Results for Silk%20Road%20Chicago - Page 18 from chicago

A work made of silk, warp-float faced 4:1 satin weave; embroidered with silk and silk chenille in split, surface satin, and stem stitches; couching; with human hair.

Mourning Sampler, About 1810

Mary Balch's School

A work made of earthenware with three-color (sancai) lead glazes.

Camel and Rider, Tang dynasty (618–907), first half of 8th century

A work made of silk and gilt-animal-substrate-wrapped linen, twill weave with twill interlacings of secondary binding warps and supplementary patterning wefts.

Fragment, 1425-1475

A work made of linen, wool, and gilt- and silvered-metal-strip-wrapped silk, slit and dovetailed tapestry weave; embroidered with silk in back and split stitches.

Altar Frontal, c. 1450

A work made of silk, plain weave; embroidered with silk, gilt-metal strip, and gilt-metal-strip-wrapped silk in double running, satin, and padded satin stitches; laid work and couching; paillettes.

Chasuble (Back), 1701/25

A work made of silk, twill weave; self-fringed; screen printed.

Pink Square (Shawl), 1977 (designed 1920)

Sonia Delaunay-Terk

A work made of linen, plain weave; embroidered with silk, silvered-metal-strip-wrapped fiber, and linen in chain and seed stitches.

Coif, 16th century

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced warp chevron twill weave with plain interlacings of secondary binding warps and supplementary patterning and brocading wefts.

Fragment, 13th/14th century

A work made of silk and cotton, warp-float faced 4:1 satin weave with supplementary patterning wefts; apparels: silk, warp-float faced 3:1 broken warp chevron twill weave with supplementary pile warps forming cut solid velvet; appliquéd with warp-float faced 7:1 satin weaves; painted; embroidered with silk, gilt-metal-strip-wrapped silk, and metal wire in split stitches; laid work and couching; edged with braid of silk and gilt-metal-strip-wrapped silk, plain weave with silk, gilt-metal-strip-wrapped silk, plain weave with supplementary patterning wefts and extended weft uncut fringe; with silk and gilt-metal-strip-wrapped silk, square braided, wrapped and knotted cords and silk, gilt-metal-strip-wrapped silk, square braided, wrapped, knotted and fringed tassels worked over cotton core; underlined with linen and sisal, plain weaves; lined with linen, plain weave; glazed.

Dalmatic, 17th century

A work made of silk, plain weave; stenciled and resist dyed (yûzenzome: ita-age, suri yûzenzome, otoshizome and shigokizome).

Furoshiki (Wrapping Cloth), early Shôwa period (1926–1989), 1926/35

Dômoto Inshô

A work made of silk, wild silk and gilt-metal-strip, plain weave with plain interlacing of secondary binding warps and supplementary patterning wefts; edged with silk and gilt-metal-strip-wrapped linen, plain weave with supplementary patterning wefts forming weft loop fringe; lined with silk, plain weave.

Cope with Hood, 19th century (adaptation of a 17th century textile design)

A work made of handscroll; ink and light color on silk.

One Hundred Cranes 百鶴圖, Qing dynasty (1644–1912) 清朝

Shen Quan

A work made of silk, satin weave; screen printed.

Les Altheas, 1914/20

Raoul Dufy

A work made of silk and gilt-animal-substrate-wrapped silk, plain weave variation with weft-float faced 1:2 "z" twill interlacings of secondary binding warps and supplementary patterning wefts and with supplementary warps forming cut voided velvet.

Fragment of Velvet, 13th-14th century

A work made of linen, plain weave; embroidered with silk floss in back, hem, satin, and split stitches; edged with silk floss in buttonhole and detached buttonhole stitches.

Border, 17th century

A work made of linen, plain weave; embroidered with silk in cross, eyelet hole, satin and stem stitches.

Sampler, 1811

Ann S. Sweitzers

A work made of linen, plain weave; embroidered with gilt-metal-strip-wrapped silk in double running, fishbone, and overcast stitches.

Sash, 19th century

The Four Accomplishments, c. 1700

Kanô Tsunenobu

A work made of cotton and silk floss; plain weave; with supplementary brocading and patterning wefts; three panels joined.

Blouse (Huipil), 1900/50

Maya

A work made of silk, in a variety of weaves including cut velvet weave; pieced; embroidered in silk threads in a variety of stitches; backed with cotton, plain weave; lined with silk, satin weave.

Mourning Sampler, About 1810

Camel and Rider, Tang dynasty (618–907), first half of 8th century

Fragment, 1425-1475

Altar Frontal, c. 1450

Chasuble (Back), 1701/25

Pink Square (Shawl), 1977 (designed 1920)

Coif, 16th century

Fragment, 13th/14th century

Dalmatic, 17th century

Furoshiki (Wrapping Cloth), early Shôwa period (1926–1989), 1926/35

Cope with Hood, 19th century (adaptation of a 17th century textile design)

One Hundred Cranes 百鶴圖, Qing dynasty (1644–1912) 清朝

Les Altheas, 1914/20

Fragment of Velvet, 13th-14th century

Border, 17th century

Sampler, 1811

Sash, 19th century

The Four Accomplishments, c. 1700

Blouse (Huipil), 1900/50

Square from a 'Crazy Quilt', c. 1884

Mourning Sampler, About 1810

Camel and Rider, Tang dynasty (618–907), first half of 8th century

Fragment, 1425-1475

Altar Frontal, c. 1450

Chasuble (Back), 1701/25

Pink Square (Shawl), 1977 (designed 1920)

Coif, 16th century

Fragment, 13th/14th century

Dalmatic, 17th century

Furoshiki (Wrapping Cloth), early Shôwa period (1926–1989), 1926/35

Cope with Hood, 19th century (adaptation of a 17th century textile design)

One Hundred Cranes 百鶴圖, Qing dynasty (1644–1912) 清朝

Les Altheas, 1914/20

Fragment of Velvet, 13th-14th century

Border, 17th century

Sampler, 1811

Sash, 19th century

The Four Accomplishments, c. 1700

Blouse (Huipil), 1900/50

Square from a 'Crazy Quilt', c. 1884