Results for Silk%20Road%20Chicago - Page 16 from chicago

A work made of silk, plain weave; stitch resist dyed (tritik) and tie-dyed resist (plangi); edged with gilt-metal-strip-wrapped cotton bobbin lace and gilt-metal-strip-wrapped cotton and silk bobbin lace uncut fringe.

Shoulder Cloth (selendang pelangi), c. 1900

A work made of two-panel screen; ink and color on silk.

Relaxing in the Shade, c. 1933

Yamakawa Shûhô

A work made of silk, plain weave with supplementary brocading wefts.

"The Good Old Days" (Royal Mail Coach)", After 1879

Thomas Stevens

A work made of silk, warp-float faced 4:1 satin weave with supplementary pile warps forming cut, voided velvet.

Altar Frontal, 1450-1500

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in back, individual back, bullion, chain, plaited braid, and stem stitches; buttonholed couching, darned wheels and french knots.

Woman's Coif (Altered), c. 1600

A work made of hanging scroll, ink and colors on silk.

Birds on a Tree with Fruit and Autumn Foliage, Qing dynasty (1644–1911); late 17th century 清朝

Jiang Hong

Tree Peonies in Full Bloom, Qing dynasty (1644–1911), dated 1911

Longyu, Empress Dowager of China

A work made of hemp, wool and silk, slit and double interlocking tapestry weave.

The Lovers, 1490/1500

A work made of silk, wild silk, and acetate, plain weave; batik printed.

If I Forget Thee, Oh Jerusalem, c. 1979

John W. Mulder

A work made of wild silk, plain weave; appliquéd with silk, satin weave; embroidered with silk- and gold-leaf-paper-strip wrapped silk in detached chain, satin and stem stitches; laid work, couching and french knots; and glass beads.

The Bride, c. 1906

Ann Macbeth

Two Beauties on a Veranda, 1802/16

Kitao Masanobu

A work made of silk, warp-float faced 2:1 twill weave with supplementary patterning wefts bound by secondary binding warps in plain interlacings.

Fragment, Mamluk period (1250–1517), 14th/15th century

Islamic

A work made of linen, wool, silk, rayon, nylon and acetate, plain weave with supplementary brocading wefts.

Two Forces Meeting and Opposing (Hanging), 1959

Lenore Tawney

A work made of engraving in black and yellowish brown, with hand additions in red gouache on cream, silk satin weave, folded.

The Holy Shroud of Besançon, 1634

Jean De Loisy

A work made of hanging scroll, ink and color on silk.

Geese on a Riverbank, Qing dynasty (1644–1911), 1750

Shen Kai

A work made of acrylic, silk-screened tempera, gesso on wood.

Passing Through the Opposite of What It Approaches, Chapter 25, 2012

R. H. Quaytman

A work made of gray earthenware, slip-coated with polychrome pigments.

Winged Beast (Tomb Figure), Western Han dynasty (206 B.C.–9 A.D.)

A work made of linen, plain weave; embroidered with silk in cross, hem, satin, split, stem, and tent stitches; french knots.

Sampler, 1825

Mary Ayer

A work made of linen, plain weave; embroidered with silk floss in back and running (pattern darning) stitches.

Fragment, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

Islamic

A work made of silk, plain weave; embroidered in silk, gilt-metal strip, and gilt-metal-strip-wrapped silk in double running, satin, and padded satin stitches; laid work and couching; paillettes.

Shoulder Cloth (selendang pelangi), c. 1900

Relaxing in the Shade, c. 1933

"The Good Old Days" (Royal Mail Coach)", After 1879

Altar Frontal, 1450-1500

Woman's Coif (Altered), c. 1600

Birds on a Tree with Fruit and Autumn Foliage, Qing dynasty (1644–1911); late 17th century 清朝

Tree Peonies in Full Bloom, Qing dynasty (1644–1911), dated 1911

The Lovers, 1490/1500

If I Forget Thee, Oh Jerusalem, c. 1979

The Bride, c. 1906

Two Beauties on a Veranda, 1802/16

Fragment, Mamluk period (1250–1517), 14th/15th century

Two Forces Meeting and Opposing (Hanging), 1959

The Holy Shroud of Besançon, 1634

Geese on a Riverbank, Qing dynasty (1644–1911), 1750

Passing Through the Opposite of What It Approaches, Chapter 25, 2012

Winged Beast (Tomb Figure), Western Han dynasty (206 B.C.–9 A.D.)

Sampler, 1825

Fragment, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

Chasuble (Front), 1701/25

Shoulder Cloth (selendang pelangi), c. 1900

Relaxing in the Shade, c. 1933

"The Good Old Days" (Royal Mail Coach)", After 1879

Altar Frontal, 1450-1500

Woman's Coif (Altered), c. 1600

Birds on a Tree with Fruit and Autumn Foliage, Qing dynasty (1644–1911); late 17th century 清朝

Tree Peonies in Full Bloom, Qing dynasty (1644–1911), dated 1911

The Lovers, 1490/1500

If I Forget Thee, Oh Jerusalem, c. 1979

The Bride, c. 1906

Two Beauties on a Veranda, 1802/16

Fragment, Mamluk period (1250–1517), 14th/15th century

Two Forces Meeting and Opposing (Hanging), 1959

The Holy Shroud of Besançon, 1634

Geese on a Riverbank, Qing dynasty (1644–1911), 1750

Passing Through the Opposite of What It Approaches, Chapter 25, 2012

Winged Beast (Tomb Figure), Western Han dynasty (206 B.C.–9 A.D.)

Sampler, 1825

Fragment, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

Chasuble (Front), 1701/25