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A work made of square piece of kinran, plain compound silk of orange-brown ground with pattern woven in gilded paper strips finely cut, representing chrysanthemum and peony scrolls, lined with white linen.

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

A work made of glass with enamel decoration.

Wine Jug with the Lamb of God, c. 1630

A work made of book composed of five volumes.

Une semaine de bonté, ou, Les sept éléments capitaux : roman, Paris: Aux éditions Jeanne Bucher, 1934

Max Ernst

A work made of color woodblock print; oban.

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Utagawa Kunisada I (Toyokuni III)

A work made of pearwood and tooled leather.

Side Chair, 1900-1913

Hector Guimard

A work made of gold and enamel.

Reliquary Pendant of Saint Barbara, c. 1500

Spitzer

A work made of full tan morocco binding; boards die cut in the shape of u; onlays on spine in shape of b; black silk endleaves; crown stamped in gold on front endleaf; author stamped in gold on back endleaf; gilt edges; original paper covers bound in.

Ubu roi: Drame en cinq actes (King Ubu: A Play in Five Acts), Published 1921; rebound 1934-1935

Mary Reynolds

A work made of glazed stoneware; lacquer lid.

Water Jar (mizusashi), 19th century

A work made of watercolor and pastel monotype from a paper matrix, with pastel, on cream japanese paper, laid down on cream 4-ply mat board.

Study of Tahitian Heads, c. 1898

Paul Gauguin

A work made of mahogany and white pine.

Dressing Table, 1750–70

Artist unknown

A work made of silk, satin weave self-patterned by reversing of faces.

Fragment, 1600/50

A work made of periodicals; 23 issues. nos. 1-18 (1929); 1-4, 19-20 (1930).

Koruna (Crown), 1929–30

Vojtech Tittelbach

A work made of silk, plain weave foundation; embroidered with silk threads in satin and stem stitches with borders worked in diagonal satin stitch; french knots.

Embroidered Fabric for a Waistcoat front, 1800-15

A work made of transfer lithograph on cream wove paper.

Supplication, 1919–20

Arthur B. Davies

A work made of cardboard box with punched holes forming the title, a green flocked interior, and copper strips forming an m on the front cover and a d on the back cover; the box contains 93 facsimiles of manuscript notes, drawings, and photographs, one additional color print of “neuf moules mâlic” (nine malic molds) under glass in the back cover, and one manuscript item..

La mariée mise à nu par ses célibataires même (The Bride Stripped Bare by Her Bachelors, Even) (The Green Box), Paris: Édition Rrose Sélavy, 1934

Marcel Duchamp

A work made of wool, slit tapestry weave.

Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/7th century

Coptic

A work made of brocaded fancy compound satin.

Cope with attached Hood, 1725/50

A work made of plain compound satin, silk and gilt paper; 3 strips to m.m..

Fragment, 18th century, Edo period (1615–1868)

A work made of velvet with design in applique and couched gold cord.

Orphrey, 16th century

A work made of fancy compound satin, silk and gilt paper.

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

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