Results for Ryerson%20and%20Burnham%20Libraries%20Special%20Collections

Fragment, 11th/13th century

A work made of pearwood and tooled leather.

Side Chair, 1900-1913

Hector Guimard

A work made of silk, 4:1 satin damask weave.

Fragment, 1550/1650

A work made of watercolor and pastel monotype from a paper matrix, with pastel, on cream japanese paper, laid down on cream 4-ply mat board.

Study of Tahitian Heads, c. 1898

Paul Gauguin

Dressing Table, 1750–70

Artist unknown

A work made of square piece of kinran, plain compound silk of orange-brown ground with pattern woven in gilded paper strips finely cut, representing chrysanthemum and peony scrolls, lined with white linen.

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

A work made of glass with enamel decoration.

Wine Jug with the Lamb of God, c. 1630

A work made of color woodblock print; oban.

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Utagawa Kunisada I (Toyokuni III)

A work made of periodicals; 23 issues. nos. 1-18 (1929); 1-4, 19-20 (1930).

Koruna (Crown), 1929–30

Vojtech Tittelbach

Reliquary Pendant of Saint Barbara, c. 1500

Spitzer

A work made of glazed stoneware; lacquer lid.

Water Jar (mizusashi), 19th century

A work made of cardboard box with punched holes forming the title, a green flocked interior, and copper strips forming an m on the front cover and a d on the back cover; the box contains 93 facsimiles of manuscript notes, drawings, and photographs, one additional color print of “neuf moules mâlic” (nine malic molds) under glass in the back cover, and one manuscript item..

La mariée mise à nu par ses célibataires même (The Bride Stripped Bare by Her Bachelors, Even) (The Green Box), Paris: Édition Rrose Sélavy, 1934

Marcel Duchamp

A work made of silk, satin weave self-patterned by reversing of faces.

Fragment, 1600/50

A work made of silk, plain weave foundation; embroidered with silk threads in satin and stem stitches with borders worked in diagonal satin stitch; french knots.

Embroidered Fabric for a Waistcoat front, 1800-15

A work made of wool, slit tapestry weave.

Fragment, 6th-7th century

A work made of transfer lithograph on cream wove paper.

Supplication, 1919–20

Arthur B. Davies

A work made of brocaded fancy compound satin.

Cope with attached Hood, 1725/50

A minimalist, elongated sculpture made of reflective and shiny bronze. The sculpture is long and slightly curved, suggesting the shape of a bird, and sits atop a stone base that is balanced on top of a geometric wooden base.

Golden Bird, 1919/20 (base c. 1922)

Constantin Brancusi

A work made of velvet with design in applique and couched gold cord.

Orphrey, 16th century

A work made of plain compound satin, silk and gilt paper; 3 strips to m.m..

Fragment, 11th/13th century

Side Chair, 1900-1913

Fragment, 1550/1650

Study of Tahitian Heads, c. 1898

Dressing Table, 1750–70

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

Wine Jug with the Lamb of God, c. 1630

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Koruna (Crown), 1929–30

Reliquary Pendant of Saint Barbara, c. 1500

Water Jar (mizusashi), 19th century

La mariée mise à nu par ses célibataires même (The Bride Stripped Bare by Her Bachelors, Even) (The Green Box), Paris: Édition Rrose Sélavy, 1934

Fragment, 1600/50

Embroidered Fabric for a Waistcoat front, 1800-15

Fragment, 6th-7th century

Supplication, 1919–20

Cope with attached Hood, 1725/50

Golden Bird, 1919/20 (base c. 1922)

Orphrey, 16th century

Fragment, 18th century, Edo period (1615–1868)

Fragment, 11th/13th century

Side Chair, 1900-1913

Fragment, 1550/1650

Study of Tahitian Heads, c. 1898

Dressing Table, 1750–70

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

Wine Jug with the Lamb of God, c. 1630

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Koruna (Crown), 1929–30

Reliquary Pendant of Saint Barbara, c. 1500

Water Jar (mizusashi), 19th century

La mariée mise à nu par ses célibataires même (The Bride Stripped Bare by Her Bachelors, Even) (The Green Box), Paris: Édition Rrose Sélavy, 1934

Fragment, 1600/50

Embroidered Fabric for a Waistcoat front, 1800-15

Fragment, 6th-7th century

Supplication, 1919–20

Cope with attached Hood, 1725/50

Golden Bird, 1919/20 (base c. 1922)

Orphrey, 16th century

Fragment, 18th century, Edo period (1615–1868)