Results for Ryerson%20and%20Burnham%20Libraries%20Special%20Collections

Dressing Table, 1750–70

Artist unknown

A work made of square piece of kinran, plain compound silk of orange-brown ground with pattern woven in gilded paper strips finely cut, representing chrysanthemum and peony scrolls, lined with white linen.

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

A work made of glass with enamel decoration.

Wine Jug with the Lamb of God, c. 1630

A work made of color woodblock print; oban.

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Utagawa Kunisada I (Toyokuni III)

Reliquary Pendant of Saint Barbara, c. 1500

Spitzer

A work made of glazed stoneware; lacquer lid.

Water Jar (mizusashi), 19th century

A work made of silk, satin weave self-patterned by reversing of faces.

Fragment, 1600/50

A work made of quarter vellum binding with white paper sides repeatedly stamped with an uppercase m in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

Mary Reynolds

View: The Modern Magazine Marcel Duchamp Volume (Series V, Number 1, March 1945), New York: View, 1945

Marcel Duchamp

A work made of silk, plain weave foundation; embroidered with silk threads in satin and stem stitches with borders worked in diagonal satin stitch; french knots.

Embroidered Fabric for a Waistcoat front, 1800-15

A work made of wool, slit tapestry weave.

Fragment, Roman period (30 BCE– 641 CE)/Arab period (641–969), 6th/7th century

Coptic

A work made of transfer lithograph on cream wove paper.

Supplication, 1919–20

Arthur B. Davies

A work made of brocaded fancy compound satin.

Cope with attached Hood, 1725/50

A work made of book composed of five volumes.

Une semaine de bonté, ou, Les sept éléments capitaux (A Week of Kindness, or the Seven Capital Elements), Paris: Aux éditions Jeanne Bucher, 1934

Max Ernst

A minimalist, elongated sculpture made of reflective and shiny bronze. The sculpture is long and slightly curved, suggesting the shape of a bird, and sits atop a stone base that is balanced on top of a geometric wooden base.

Golden Bird, 1919/20 (base c. 1922)

Constantin Brancusi

A work made of full tan morocco binding; boards die cut in the shape of u; onlays on spine in shape of b; black silk endleaves; crown stamped in gold on front endleaf; author stamped in gold on back endleaf; gilt edges; original paper covers bound in.

Ubu roi: Drame en cinq actes (King Ubu: A Play in Five Acts), Published 1921; rebound 1934-1935

Mary Reynolds

A work made of velvet with design in applique and couched gold cord.

Orphrey, 16th century

A work made of plain compound satin, silk and gilt paper; 3 strips to m.m..

Fragment, 18th century, Edo period (1615–1868)

A work made of fancy compound satin, silk and gilt paper.

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

A work made of stoneware with ox blood (langyao) glaze.

Dressing Table, 1750–70

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

Wine Jug with the Lamb of God, c. 1630

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Reliquary Pendant of Saint Barbara, c. 1500

Water Jar (mizusashi), 19th century

Fragment, 1600/50

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

View: The Modern Magazine Marcel Duchamp Volume (Series V, Number 1, March 1945), New York: View, 1945

Embroidered Fabric for a Waistcoat front, 1800-15

Fragment, Roman period (30 BCE– 641 CE)/Arab period (641–969), 6th/7th century

Supplication, 1919–20

Cope with attached Hood, 1725/50

Une semaine de bonté, ou, Les sept éléments capitaux (A Week of Kindness, or the Seven Capital Elements), Paris: Aux éditions Jeanne Bucher, 1934

Golden Bird, 1919/20 (base c. 1922)

Ubu roi: Drame en cinq actes (King Ubu: A Play in Five Acts), Published 1921; rebound 1934-1935

Orphrey, 16th century

Fragment, 18th century, Edo period (1615–1868)

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

Vase, Qing dynasty (1644–1911)

Dressing Table, 1750–70

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

Wine Jug with the Lamb of God, c. 1630

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Reliquary Pendant of Saint Barbara, c. 1500

Water Jar (mizusashi), 19th century

Fragment, 1600/50

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

View: The Modern Magazine Marcel Duchamp Volume (Series V, Number 1, March 1945), New York: View, 1945

Embroidered Fabric for a Waistcoat front, 1800-15

Fragment, Roman period (30 BCE– 641 CE)/Arab period (641–969), 6th/7th century

Supplication, 1919–20

Cope with attached Hood, 1725/50

Une semaine de bonté, ou, Les sept éléments capitaux (A Week of Kindness, or the Seven Capital Elements), Paris: Aux éditions Jeanne Bucher, 1934

Golden Bird, 1919/20 (base c. 1922)

Ubu roi: Drame en cinq actes (King Ubu: A Play in Five Acts), Published 1921; rebound 1934-1935

Orphrey, 16th century

Fragment, 18th century, Edo period (1615–1868)

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

Vase, Qing dynasty (1644–1911)