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A work made of silk.

Fragment, 11th/13th century

A work made of pearwood and tooled leather.

Side Chair, 1900-1913

Hector Guimard

A work made of silk, 4:1 satin damask weave.

Fragment, 1550/1650

A work made of watercolor and pastel monotype from a paper matrix, with pastel, on cream japanese paper, laid down on cream 4-ply mat board.

Study of Tahitian Heads, c. 1898

Paul Gauguin

A work made of mahogany and white pine.

Dressing Table, 1750–70

Artist unknown

A work made of square piece of kinran, plain compound silk of orange-brown ground with pattern woven in gilded paper strips finely cut, representing chrysanthemum and peony scrolls, lined with white linen.

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

A work made of glass with enamel decoration.

Wine Jug with the Lamb of God, c. 1630

A work made of color woodblock print; oban.

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Utagawa Kunisada I (Toyokuni III)

A work made of periodicals; 23 issues. nos. 1-18 (1929); 1-4, 19-20 (1930).

Koruna (Crown), 1929–30

Vojtech Tittelbach

A work made of gold and enamel.

Reliquary Pendant of Saint Barbara, c. 1500

Spitzer

A work made of glazed stoneware; lacquer lid.

Water Jar (mizusashi), 19th century

A work made of cardboard box with punched holes forming the title, a green flocked interior, and copper strips forming an m on the front cover and a d on the back cover; the box contains 93 facsimiles of manuscript notes, drawings, and photographs, one additional color print of “neuf moules mâlic” (nine malic molds) under glass in the back cover, and one manuscript item..

La mariée mise à nu par ses célibataires même (The Bride Stripped Bare by Her Bachelors, Even) (The Green Box), Paris: Édition Rrose Sélavy, 1934

Marcel Duchamp

A work made of silk, satin weave self-patterned by reversing of faces.

Fragment, 1600/50

A work made of silk, plain weave foundation; embroidered with silk threads in satin and stem stitches with borders worked in diagonal satin stitch; french knots.

Embroidered Fabric for a Waistcoat front, 1800-15

A work made of wool, slit tapestry weave.

Fragment, Roman period (30 BCE– 641 CE)/Arab period (641–969), 6th/7th century

Coptic

A work made of transfer lithograph on cream wove paper.

Supplication, 1919–20

Arthur B. Davies

A work made of brocaded fancy compound satin.

Cope with attached Hood, 1725/50

A work made of heavy boards covered with calf, green outside and black inside; on the front and back are onlays of frogskin; inside boards are reinforced with secondary boards in green with gold lettering, with facing leaves of decorated paper simulating frog skin; the spine is black calf with vertical lines in blind stamping; original paper covers bound in.

La science de Dieu ou La création de l'homme (The Science of God, or The Creation of Man), Published 1900; rebound 1930-1942

Mary Reynolds

A work made of woodcut and letterpress in black, with brush and watercolor, pen and ink on ivory laid paper, in modern full alum-tawed pigskin over wooden boards, sewn on raised bands, with blind tooled lines in frame pattern, blind tooling and hand-lettered title on the spine, and hand-sewn linen headbands.

Nuremberg Chronicle, 1493

Michel Wolgemut

A work made of printed book.

Uber das Geistige in der Kunst (About the Spiritual in Art), 1912

Vasily Kandinsky

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