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A work made of cardboard box with punched holes forming the title, a green flocked interior, and copper strips forming an m on the front cover and a d on the back cover; the box contains 93 facsimiles of manuscript notes, drawings, and photographs, one additional color print of “neuf moules mâlic” (nine malic molds) under glass in the back cover, and one manuscript item..

La mariée mise à nu par ses célibataires même (The Bride Stripped Bare by Her Bachelors, Even) (The Green Box), Paris: Édition Rrose Sélavy, 1934

Marcel Duchamp

A work made of stoneware with ox blood (langyao) glaze.

Vase, Qing dynasty (1644–1911)

A work made of cotton, machine-made net; appliquéd with plain weave; cut and drawn work filled with buttonhole bars decorated with buttonhole picots and darned points; embroidered in cross, darning, and overcast stitches; decorated with buttonhole wheels.

Fichu with Frilled Outer Edge, 1850/75

A work made of silk embroidery on woven cotton foundation.

Suzani (large embroidered hanging or cover), 19th century

A work made of pewter.

Plates, c. 1892

Jules-Paul Brateau

A work made of color woodblock print; oban.

The actor Nakamura Utaemon IV as the fisherman Fukashichi, actually Kanawa Goro Imakuni (Ryoshi Fukashichi jitsu wa Kanawa Goro Imakuni), c. 1847/52

Utagawa Kunisada I (Toyokuni III)

A work made of painted plaster.

Bust of Pierre François Leonard Fontaine, 1839

Louis Messidor Lebon Petitot

A work made of tin-glazed earthenware with copper luster (maiolica).

Display Plate with the Bust of a Woman, 1500/30

A work made of linen, plain weave; embroidered with silk floss in long-armed cross and running (pattern darning) stitches.

Border, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

A work made of silk; lampas technique.

Fragment, 1200-50

A work made of silk, plain weave with gilt-metal strip supplementary facing wefts with supplementary pile warps forming cut and uncut voided velvet.

Fragment, 1601/25

A work made of linen and wool, slit and dovetailed tapestry weave with eccentric wefts and supplementary wrapping weft details; edged by plain weave with supplementary wrapping wefts forming uncut loop pile.

Fragment Depicting a Mounted Rider, 4th-5th century

Byzantine

A work made of georgia marble.

Figure, 1946

Isamu Noguchi

A work made of bronze.

Coin Portraying Emperor Constantius I, 305-306

Ancient Roman

A work made of painted plaster.

Bust of Charles Percier (1764-1838), 1838

Louis Messidor Lebon Petitot

A work made of woodblock print.

Charm from Yudonosan Hondoji Temple, 19th century

A work made of heavy boards covered with calf, green outside and black inside; on the front and back are onlays of frogskin; inside boards are reinforced with secondary boards in green with gold lettering, with facing leaves of decorated paper simulating frog skin; the spine is black calf with vertical lines in blind stamping; original paper covers bound in.

La science de Dieu ou La création de l'homme (The Science of God, or The Creation of Man), Published 1900; rebound 1930-1942

Mary Reynolds

A work made of 63 mixed media postcards in collage, gouache, graphite, and watercolor.

Gutai Postcards, 1956-2008

Yamazaki Tsuruko

A work made of printed book.

Uber das Geistige in der Kunst (About the Spiritual in Art), 1912

Vasily Kandinsky

A work made of printed book with designed cover.

Na borbu s khuliganstvom v literature (The Battle against Hooliganism in Literature), 1926

Gustav G. Klutsis

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