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A work made of silk and gilt-metal strip, plain weave with supplementary facing wefts and supplementary pile warps forming cut and uncut voided velvet.

Five Fragments, 1601/25

A work made of bronze.

Dupondius (Coin) Portraying Emperor Vespasian, 69-79

Ancient Roman

A work made of color woodblock print; oban.

Kachio Temple in Settsu Province, No. 23 on the Saikoku Pilgrimage Route (Saikoku junrei nijusanban Settsu Kachiodera), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

Utagawa Kunisada I (Toyokuni III)

A work made of lithograph in black on grayish-ivory chine, laid down on thick cream wove paper.

Portrait of Honoré Daumier, n.d.

Jules Letoula

A work made of tin-glazed earthenware (maiolica).

Plate with Theseus in the House of Achelous, from the Lancierini Service, 1540/50

A work made of pen and black ink with extraneous gray wash on white wove paper.

House of Vice, 1981

José Luis Cuevas

A work made of silk, pusher machine lace.

Shawl, 1860s

A work made of linen, bobbin straight lace; continuous clothwork tapes).

Border, 18th century

A work made of silk, plain weave with silvered-metal-strip supplementary facing wefts and supplementary pile warps forming cut and uncut voided velvet.

Fragment, Late 16th century

A work made of painted and gilded glass.

Entombment of Saint Catherine, 16th–17th century

Italian

A work made of silk, plain compound twill weave.

Roundel, 7th century

A work made of glass, vitreous paint, and silver stain.

The Birth and Naming of Saint John the Baptist, c. 1525

A work made of tin-glazed earthenware.

Platter, c. 1700/20

Rouen Potteries

A work made of linen, bobbin straight lace.

Border, 1750/1800

A work made of linen, bobbin part lace.

Border, 1701/25

A work made of pearwood and tooled leather.

Side Chair, 1900-1913

Hector Guimard

A work made of roulette engraving on ivory wove paper.

Plate One, from In The Morning, 1978

David Finkbeiner

A work made of silk.

Fragment, 11th/13th century

A work made of silk, 4:1 satin damask weave.

Fragment, 1550/1650

A work made of watercolor and pastel monotype from a paper matrix, with pastel, on cream japanese paper, laid down on cream 4-ply mat board.

Study of Tahitian Heads, c. 1898

Paul Gauguin

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