Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching on paper.

Plate 20 of 38 from Oeuvres de J. B. Huet, 1796–99

Jean Baptiste Huet

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Crater of the Lone Star Geyser, 1878 and 1978

Mark Klett

A work made of drypoint with scraping and engraving on copper in black on off-white laid paper.

Blind Minotaur Led by Little Girl with Flowers, from the Vollard Suite, September 22, 1934, printed 1939

Pablo Picasso

A work made of steel with gilding.

Composite Armor, c. 1610/20

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

The Carnivorous Vulture, plate 76 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint or lavis, and drypoint on ivory wove paper with gilt edges.

May the cord break, plate 77 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

A work made of etching, burin, and burnishing on ivory wove paper with gilt edges.

Feline pantomime, plate 73 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A black print on ivory paper shows a large nude fawn kneeling as he lifts the bed covers from a nude sleeping woman on a bed on the right. Her figure is presented in a much less detailed fashion, mostly an outlined form, while the rest of the scene, the fawn and the room's interior, are rendered with greater detail.

Faun Uncovering a Sleeping Woman (Jupiter and Antiope, after Rembrandt), from the Vollard Suite, June 12, 1936, printed and published 1939

Pablo Picasso

A work made of pen and brown ink on ivory laid paper.

Sacrifice of Isaac (recto); Jacob's Dream (verso), 1613/20

Guercino

A work made of silver dye-bleach print, no. 20 from the portfolio "rodeo drive" (1984).

Rodeo Drive #20, 1984, printed c. 2014

Anthony Hernandez

Gold Pouring #20

Gold Pouring #20, 1992

Victor Raphael

[Park City #20]

[Park City #20], 1978–1979

Lewis Baltz

A work made of red chalk on ivory laid paper, laid down on card.

Female Caryatid, 1700/20

Perino del Vaga

A work made of aquatint on ivory wove paper.

Bust of a Woman, March 19, 1955

Pablo Picasso

A work made of etching, burin and burnishing on ivory wove paper with gilt edges.

Everything is topsy-turvy, plate 42 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

He defends himself well, plate 78 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching on paper.

Hunting Birds, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of pen and brown ink with brush and watercolor, over graphite, on ivory laid paper.

Reception, 1850/1855

Constantin Guys

<<<29303132 >>>