Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of steel.

Reinforcing Breastplate, 1610-20

A work made of etching, burnished aquatint or lavis, and drypoint on ivory wove paper with gilt edges.

May the cord break, plate 77 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching on paper.

Plate 20 of 38 from Oeuvres de J. B. Huet, 1796–99

Jean Baptiste Huet

A work made of steel with gilding.

Composite Armor, c. 1610/20

A work made of drypoint with scraping and engraving on copper in black on off-white laid paper.

Blind Minotaur Led by Little Girl with Flowers, from the Vollard Suite, September 22, 1934, printed 1939

Pablo Picasso

A work made of etching, burin, and burnishing on ivory wove paper with gilt edges.

Feline pantomime, plate 73 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

A work made of pen and brown ink, with brush and gray and brown wash and white gouache, over graphite, on gray wove paper.

Street in Bologna, 1845

John Ruskin

Miniature parlor room with green walls, carpeted floor, gothic-like window, and wooden furniture.

A33: "Middletown" Parlor, 1875-90, c. 1940

Narcissa Niblack Thorne

A work made of gold.

Solidus (Coin) Portraying Emperor Gratian, 375-378

Ancient Roman

A black print on ivory paper shows a large nude fawn kneeling as he lifts the bed covers from a nude sleeping woman on a bed on the right. Her figure is presented in a much less detailed fashion, mostly an outlined form, while the rest of the scene, the fawn and the room's interior, are rendered with greater detail.

Faun Uncovering a Sleeping Woman (Jupiter and Antiope, after Rembrandt), from the Vollard Suite, June 12, 1936, printed and published 1939

Pablo Picasso

A work made of miniature room, mixed media.

A29: South Carolina Ballroom, 1775-1835, c. 1940

Narcissa Niblack Thorne

Gold Pouring #20

Gold Pouring #20, 1992

Victor Raphael

A work made of silver dye-bleach print, no. 20 from the portfolio "rodeo drive" (1984).

Rodeo Drive #20, 1984, printed c. 2014

Anthony Hernandez

[Park City #20]

[Park City #20], 1978–1979

Lewis Baltz

A work made of pen and brown ink with brush and watercolor, over graphite, on ivory laid paper.

Reception, 1850/1855

Constantin Guys

A work made of pen and brown ink on ivory laid paper.

Sacrifice of Isaac (recto); Jacob's Dream (verso), 1613/20

Guercino

A work made of gelatin silver print.

Nude No. 158, New York, 1949/50, printed 1949/50

Irving Penn

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching, burin and burnishing on ivory wove paper with gilt edges.

Everything is topsy-turvy, plate 42 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

<<<29303132 >>>