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A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching, burnished aquatint or lavis, and drypoint on ivory wove paper with gilt edges.

May the cord break, plate 77 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of steel with gilding.

Composite Armor, c. 1610/20

A work made of silver dye-bleach print, no. 20 from the portfolio "rodeo drive" (1984).

Rodeo Drive #20, 1984, printed c. 2014

Anthony Hernandez

[Park City #20]

[Park City #20], 1978–1979

Lewis Baltz

Gold Pouring #20

Gold Pouring #20, 1992

Victor Raphael

A work made of etching, burin, and burnishing on ivory wove paper with gilt edges.

Feline pantomime, plate 73 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of bound volume of albumen prints (20).

Photographic Sketch Book of the Civil War, Volume I, 1861/65

Alexander Gardner

A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

A work made of drypoint with scraping and engraving on copper in black on off-white laid paper.

Blind Minotaur Led by Little Girl with Flowers, from the Vollard Suite, September 22, 1934, printed 1939

Pablo Picasso

Miniature parlor room with green walls, carpeted floor, gothic-like window, and wooden furniture.

A33: "Middletown" Parlor, 1875-90, c. 1940

Narcissa Niblack Thorne

A work made of miniature room, mixed media.

A29: South Carolina Ballroom, 1775-1835, c. 1940

Narcissa Niblack Thorne

A black print on ivory paper shows a large nude fawn kneeling as he lifts the bed covers from a nude sleeping woman on a bed on the right. Her figure is presented in a much less detailed fashion, mostly an outlined form, while the rest of the scene, the fawn and the room's interior, are rendered with greater detail.

Faun Uncovering a Sleeping Woman (Jupiter and Antiope, after Rembrandt), from the Vollard Suite, June 12, 1936, printed and published 1939

Pablo Picasso

A work made of pen and brown ink on ivory laid paper.

Sacrifice of Isaac (recto); Jacob's Dream (verso), 1613/20

Guercino

A work made of pen and brown ink with brush and watercolor, over graphite, on ivory laid paper.

Reception, 1850/1855

Constantin Guys

A work made of etching, burin and burnishing on ivory wove paper with gilt edges.

Everything is topsy-turvy, plate 42 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of gelatin silver print.

Nude No. 158, New York, 1949/50, printed 1949/50

Irving Penn

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

He defends himself well, plate 78 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of red chalk on ivory laid paper, laid down on card.

Female Caryatid, 1700/20

Perino del Vaga

A work made of aquatint on ivory wove paper.

Bust of a Woman, March 19, 1955

Pablo Picasso

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