Curator

  • Art Institute Chicago
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A work made of bronze.

Imogen, 1874

Erastus Dow Palmer

A work made of watercolor and graphite on tan wove paper.

Sheet of Sketches of Deer and Cattle, n.d.

Unknown artist

A work made of steel.

Combination Primer-Spanner-Ramrod, 1600/20

A work made of etching on ivory laid paper.

Vincent Stochove, 1650

Wenceslaus Hollar

A work made of charcoal, with oiled charcoal, heightened with traces of white chalk, on blue laid paper, laid down on ivory laid paper.

Reclining Nude, 1600/20

Workshop of Domenico Tintoretto

A work made of drypoint and etching with engraving on copper in black on off-white laid paper.

Bullfight. Wounded Female Bullfighter III, from the Vollard Suite, November 8, 1933, printed and published 1939

Pablo Picasso

A work made of etching on cream laid paper.

Clearing in the Forest, 1880

Rodolphe Bresdin

A work made of etching on ivory laid paper.

It Rocks but is Not Sunk, 1854

Charles Meryon

A work made of woodcut in black from five block, and letterpress in black (recto and verso), on cream laid paper.

The Eunuch from Terenti cum directorio, Plate 29 from Woodcuts from Books of the 15th Century, 1496, portfolio assembled 1929

Unknown artist

A work made of wool and silk, slit and double interlocking tapestry weave.

Chancellerie, 1718/20

Manufacture Royale de Beauvais

Miniature parlor with two rooms divided by a wall opening. There is a large chandelier, gold-gilded frames and mirrors, and red and yellow upholstered wooden furniture.

A30: Georgia Double Parlor, c. 1850, c. 1940

Narcissa Niblack Thorne

A work made of albumen print, stereo.

War Chief of the Zuni Indians, No. 20 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of gelatin silver print.

Nude No. 105, New York, 1949/50, printed 1949/50

Irving Penn

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching on copper in black on off-white laid paper.

Marie-Thérèse as Female Bullfighter, from the Vollard Suite, June 20, 1934, printed and published 1939

Pablo Picasso

A work made of graphite on tracing paper.

Morton Arboretum Visitor Center, Lisle, Illinois, Site Plan, 1971

Arthur Roger Myhrum

A work made of gelatin silver print.

Freed Iranian Hostage, Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

Page 20, from Tetrascroll

Page 20, from Tetrascroll, 1975–77

Richard Buckminster Fuller

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