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A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching on ivory laid paper.

It Rocks but is Not Sunk, 1854

Charles Meryon

A work made of gelatin silver print.

Freed Iranian Hostage, Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of color woodblock print; oban.

No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])", c. 1835/36

Keisai Eisen

A work made of steel.

Fingered Gauntlet for the Left Hand, c. 1600/20

A work made of graphite on tracing paper.

Morton Arboretum Visitor Center, Lisle, Illinois, Site Plan, 1971

Arthur Roger Myhrum

A work made of engraving on paper.

Pantalone, from Three Italian Comedians, 1618–20

Jacques Callot

A work made of etching and roulette on white wove paper.

Oriental Rider in the Mountains, 1866

Rodolphe Bresdin

A work made of gelatin silver print.

Gas station, Vallejo, California, Fall 1971

Roger Vail

A work made of thinly albumenized print.

Sir George de Lacy Evans (1787-1870), General, Taken at the Crimea, 1855

Roger Fenton

A work made of etching on copper in black on off-white laid paper.

Marie-Thérèse as Female Bullfighter, from the Vollard Suite, June 20, 1934, printed and published 1939

Pablo Picasso

A work made of center of silk and cotton, warp-float faced 3:1 's' twill weave; patterned areas of cotton, weft-float faced 1:3 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; attached side borders of cotton and wool, weft-float faced 2:2 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; added fringe; woven on loom with jacquard attachment.

Long Shawl, 1815/20

A work made of etching, lavis and burin on ivory wove paper with gilt edges.

What madness!, plate 68 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching on paper.

The Captain or The Lover, from Three Italian Comedians, 1618–20

Jacques Callot

A work made of etching and burnishing on ivory wove paper with gilt edges.

Will She Rise Again?, plate 80 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of hard-paste porcelain, black enamel (schwarzlot), and gilding.

Vase and Cover (one of a pair), 1715/20

Meissen Porcelain Manufactory

A work made of etching on paper.

The Minstrel, 1873

Charles Louis de Courtay

A work made of engraving in black on ivory laid paper.

The Grand Duke Fortifies the Port of Livorno, from The Life of Ferdinando I de’ Medici, 1616/20

Jacques Callot

A work made of woodcut in black from five block, and letterpress in black (recto and verso), on cream laid paper.

The Eunuch from Terenti cum directorio, Plate 29 from Woodcuts from Books of the 15th Century, 1496, portfolio assembled 1929

Unknown artist

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