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A work made of engraving on paper.

The Victory of Scipion over Syphax, c. 1532

Master of the Die

A work made of engraving on paper.

Descent into Limbo, c. 1465

Andrea Mantegna

A work made of etching on ivory china paper laid down on white wove paper.

The Stream in the Gorge, 1871

Rodolphe Bresdin

A work made of etching on copper in black on ivory laid paper.

The Great Bullfight with Female Bullfighter, September 8, 1934, printed April 1939

Pablo Picasso

A work made of etching, engraving, stipple, and roulette in black on ivory wove paper.

Phrosine and Mélidore, 1797

Pierre Paul Prud'hon

A work made of etching on copper in black on ivory laid paper.

Female Bullfighter. Last Kiss?, June 12, 1934, printed April 1939

Pablo Picasso

A work made of etching and aquatint, with scraping, on copper in black on white wove paper, laid down on ivory japanese paper (chine collé).

The Dream and Lie of Franco (Plate II), January 8–9, 1937, completed June 7, 1937

Pablo Picasso

A work made of black and colored crayons on brown-gray wove paper, discolored to tan, laid down on cream board.

Painter and Model, July 20, 1970

Pablo Picasso

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of aquatint and sugar lift etching, with scraping, on copper in black on ivory wove paper.

Variation on the Theme of Las Meninas: Visitors to the Studio, February 18, 1955

Pablo Picasso

A work made of oil on canvas.

Venus Healing Aeneas, c. 1820

Merry Joseph Blondel

A work made of steel.

Breastplate, 1500/20

A work made of engraving in black on ivory laid paper.

Saint Christopher Carrying the Christ Child, 1515/20

Albrecht Altdorfer

A work made of graphite on cream wove graph paper.

Black Square, Second State, 1915/20

Kasimir Malevich

A work made of etching and burin on cream laid paper.

The Custody is as Barbarous as the Crime ("The Little Prisoner"), 1810/20

Francisco José de Goya y Lucientes

A work made of etching on ivory wove paper with gilt edges.

The Consequences, plate 72 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

Ausable River, Ausable Chasm, NY, ed. 20/30

Ausable River, Ausable Chasm, NY, ed. 20/30, October 1988

John Pfahl

A work made of woodcut on cream japanese paper.

Mez (Mittel-Europaische-Zeit: Weimar), 1919–20

Robert Michel

A work made of engraving on cream paper.

Portrait of André Rivet, 1647

Jonas Suyderhoef

A work made of transfer lithograph on cream wove paper.

Balance of Angle, 1919–20

Arthur B. Davies

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