Curator

  • Art Institute Chicago
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  • My Exhibition
A work made of oil on canvas.

The Second Battle at Wounded Knee, 1973

Roger Brown

A work made of oil on canvas.

Cross Country Connections, 1974

Roger Brown

Personnel Carrier Painted to Simulate School Bus, Bravo 20 Bombing Range, Nevada

Personnel Carrier Painted to Simulate School Bus, Bravo 20 Bombing Range, Nevada, 1986; printed 2007

Richard Misrach

A work made of etching on paper.

The Singers, c. 1668

Adriaen van Ostade

A work made of bronze.

Lion Attacking a Stallion, 1600/20

Antonio Susini

A work made of engraving on paper.

Robert Nanteuil, n.d.

Gérard Edelinck

A work made of engraving in black on paper.

St. Roch, c. 1532

Master of the Die

A work made of plant fibers; woodpecker, mallard duck, and goldfinch feathers; and abalone shell.

Feathered Gift Basket, 1915–20

Pomo

A work made of gelatin silver print.

Spiegel Building, Downers Grove, Illinois, 1992

Bob Thall

A work made of engraving on paper.

Cybele in her Chariot, c. 1532

Master of the Die

A work made of hanging scroll; ink and color on paper.

Standing Beauty in Blue Kimono, c. 1711–16

Kaigetsudo Doshu

A work made of watercolor on ivory.

A Gentleman, c. 1810–20

Benjamin Trott

A work made of color woodblock print; edition 4/20.

The Observing Eye, 1959

Azechi Umetaro

A work made of granite.

Saint Stephen, 1860

William Rimmer

Black-and-white photograph of an empty cobblestone alley, with small trash piles and an overturned bucket in the foreground.

Charles Lane, Between West and Washington Streets, September 20, 1938

Berenice Abbott

A work made of collage of cut printed and painted papers on board.

Untitled (185 Head), c. 1956–58

Ray Johnson

A work made of soft ground etching and aquatint on light blue laid paper.

Tragic Figure, 1919–20

Arthur B. Davies

A work made of gelatin silver print.

Ship's Hull, Oakland, 1976

Roger Vail

A work made of engraving in black on ivory laid paper.

St. Sebastian at the Column, c. 1499

Albrecht Dürer

A work made of aquatint and etching on copper in black on white wove paper, laid down on cream japanese paper (chine collé).

The Dream and Lie of Franco (Plate I), January 8, 1937

Pablo Picasso

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