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A work made of red granite.

Pilaster Capital from the Marshall Field Wholesale Store, Chicago, Illinois, 1885-87 (demolished 1930)

H. H. Richardson

A work made of red chalk, over traces of black chalk, on tan laid paper, laid down on ivory laid card.

Study for Saturn Presiding over the City of Bologna, with the Arms of Cardinal Giulio Sacchetti, c. 1640

Giovanni Battista Coriolano

A work made of color woodcut from fourteen blocks on kizuki hanga white.

Boston Red, from Jeanette Pasin Sloan, 1986

Jeanette Pasin Sloan

A work made of pen and brown ink, with brush and brown wash, over red chalk, on ivory laid paper, laid down on cream laid card.

Holy Family, n.d.

Gaspare Diziani

A work made of oil on panel.

Christ Carrying the Cross, c. 1490

Master of the Freising Visitation

A work made of linocut in brownish-red ink on paper.

Sitting Man, Arms over his Head, 1977

Georg Baselitz

A work made of bronze with traces of red-gold lacquer.

Bireno and Olimpia, 1640/50

Ferdinando Tacca

A work made of black chalk, on gray laid paper with blue and red fibers.

The Woodchopper, c. 1848–1850

Jean François Millet

A work made of brick-red earthenware.

Tripod Vessel, Eastern Zhou dynasty, Warring States period (480–221 B.C.)

A work made of pen and brown ink with red chalk, on ivory laid paper, squared in black chalk, laid down on ivory laid paper.

Monastic Healing, n.d.

Pietro Malombra

A work made of porcelain painted in overglaze enamels.

Ruby Red-Ground Famille-Rose 'Floral' Bowl, Qing dynasty (1644–1911), Jiaqing period (1796–1821)

A work made of oil on canvas.

Study H.M., 2004

Daan van Golden

A work made of colored polyester resin.

Untitled (Derriere rouge), 1970-71

Alina Szapocznikow

A work made of pen and brown ink, over red chalk, with brush and red chalk wash, on ivory laid paper.

Adoration of the Magi, n.d.

Pupil of François Boucher

A work made of black chalk, heightened with touches of white and red chalk, on blue gray laid paper.

Seated Angel, n.d.

Mario Balassi

A work made of mottled red sandstone.

Double -Sided Capital with Female Figure Astride a Lion, c. 1st century A.D.

A work made of brush and brown ink and brown wash, with black ink, heightened with white gouache and white oil paint, with black chalk, on lunette-shaped blue laid paper, squared in red chalk, laid down on cream laid paper.

Flagellation of Saint Catherine, 1550/55

Bernardino Lanino

A work made of gelatin silver print.

Poor Rural Family Living In A Smoke-House, Oklahoma, In Care Of Red Cross, 1931

Lewis Wickes Hine

A large, red-orange letter O decorated with gold leaf and blue, orange, and green vine-like flourishes contains within it a balding man with a gray beard in a black robe. He holds out a book in each hand. To his left are a group of kneeling men in black robes. Men in white robes kneel at his right.

Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook, 1394/95

Martino di Bartolomeo di Biagio

A work made of lithograph in blue, red, yellow and tan on tan wove paper.

The Light, from the third album of L'Estampe originale, 1893

Alexandre Lunois

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