Curator

  • Art Institute Chicago
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A work made of pen and brown ink with brush and brown wash and traces of red chalk, on cream laid paper, laid down on ivory laid paper.

Design for Overdoor: Two Ignudi with Dolphins and Shields, n.d.

Circle of Francesco Salviati

A work made of pen and brush and black ink with extraneous red ink on cream wove paper.

Untitled, 1996

Raymond Pettibon

A work made of red chalk, with stumping, and brush and red chalk wash, on cream laid paper, tipped onto tan wove paper.

Mystic Marriage of Saint Catherine, 18th century

Style of Correggio

A work made of linocut in brownish-red ink on paper.

Sitting Man, Arms over his Head, 1977

Georg Baselitz

A work made of black chalk, on gray laid paper with blue and red fibers.

The Woodchopper, c. 1848–1850

Jean François Millet

A work made of red granite.

Pilaster Capital from the Marshall Field Wholesale Store, Chicago, Illinois, 1885-87 (demolished 1930)

H. H. Richardson

A work made of bronze with traces of red-gold lacquer.

Bireno and Olimpia, 1640–50

Ferdinando Tacca

A work made of etching, from two plates, one printed in warm black, the other in red ink, on ivory wove paper.

Solar Law, 1855

Charles Meryon

A work made of pen and brown ink, with brush and brown wash, over red chalk, on ivory laid paper, laid down on cream laid card.

Holy Family, n.d.

Gaspare Diziani

A work made of red chalk, over traces of black chalk, on tan laid paper, laid down on ivory laid card.

Study for Saturn Presiding over the City of Bologna, with the Arms of Cardinal Giulio Sacchetti, c. 1640

Giovanni Battista Coriolano

A work made of porcelain painted in overglaze enamels.

Ruby Red-Ground Famille-Rose 'Floral' Bowl, Qing dynasty (1644–1911), Jiaqing period (1796–1821)

A work made of brick-red earthenware.

Tripod Vessel, Eastern Zhou dynasty, Warring States period (480–221 B.C.)

A work made of pen and brown ink with red chalk, on ivory laid paper, squared in black chalk, laid down on ivory laid paper.

Monastic Healing, n.d.

Pietro Malombra

A large, red-orange letter O decorated with gold leaf and blue, orange, and green vine-like flourishes contains within it a balding man with a gray beard in a black robe. He holds out a book in each hand. To his left are a group of kneeling men in black robes. Men in white robes kneel at his right.

Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook, 1394/95

Martino di Bartolomeo di Biagio

A work made of gelatin silver print.

Poor Rural Family Living In A Smoke-House, Oklahoma, In Care Of Red Cross, 1931

Lewis Wickes Hine

A work made of brush and brown ink and brown wash, with black ink, heightened with white gouache and white oil paint, with black chalk, on lunette-shaped blue laid paper, squared in red chalk, laid down on cream laid paper.

Flagellation of Saint Catherine, 1550/55

Bernardino Lanino

A work made of pen and brown ink, over red chalk, with brush and red chalk wash, on ivory laid paper.

Adoration of the Magi, n.d.

Pupil of François Boucher

A work made of mottled red sandstone.

Double -Sided Capital with Female Figure Astride a Lion, c. 1st century A.D.

A work made of lithograph in blue, red, yellow and tan on tan wove paper.

The Light, from the third album of L'Estampe originale, 1893

Alexandre Lunois

A work made of black chalk, heightened with touches of white and red chalk, on blue gray laid paper.

Seated Angel, n.d.

Mario Balassi

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