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A work made of red chalk, heightened with touches of white chalk, on tan laid paper, laid down on card.

Kneeling Woman, n.d.

François Verdier

A work made of black chalk with stumping, heightened with white chalk, squared in red chalk, on cream laid paper, laid down on ivory laid paper.

Death of Adonis (?), n.d.

Hubert François Gravelot

A work made of inkjet print.

Red Flag Factory, St. Petersburg, Erich Mendelsohn, 1926, 2001

Richard Pare

A work made of porcelain painted in underglaze iron red.

One of a pair of iron-red dragon dishes, Qing dynasty (1644–1911)

A work made of tempera on panel.

Saint Sebastian, 1490/1500

Spanish

A work made of porcelain painted in overglaze enamels.

Snuff Bottle with a Scene from the Dream of the Red Chamber, Qing dynasty (1644–1911), Jiaqing reign mark and period (1796–1820)

A work made of pen and brown ink with brush and brown wash over red chalk, on tan laid paper, pieced and laid down on buff laid paper, edge mounted to tan laid paper.

Seated Angel, n.d.

Federico Zuccaro

A work made of red conté crayon, with stumping on ivory wove paper.

Seated Female Nude, Arms Outstretched, n.d.

Charles Despiau

A work made of pen and brown ink, heightened with lead white, over red chalk on cream laid paper, laid down on cream laid paper.

Saint Augustine and Two Angels Adoring the Crucifix, 1685/1695

Giuseppe Passeri

A work made of pen and brown ink, over traces of red chalk, on tan laid paper, edge mounted to cream laid paper (recto), and pen and brown ink with brush and blue and brown wash heightened with lead white on tan laid paper (verso).

Four Running Male Nudes (recto); Holy Family with the Infant John the Baptist (verso), n.d.

Unknown

A work made of porcelain painted in underglaze iron red and overglaze yellow enamel.

One of a Pair of Yellow and Iron-Red Dragon Bowls, Qing dynasty (1644–1912), Qianlong reign mark and period (1736–1795)

A work made of red velvet with design in applique and couched gold cord.

Orphrey, 16th century

A work made of silver dye-bleach print.

Red Fish, Lowfield Farm, 1988

Garry Fabian Miller

A work made of stucco and polychrome.

The Nativity, c. 1465

Circle of Donatello

A work made of etching, from two plates, one printed in warm black, the other in red ink, on ivory wove paper.

Solar Law, 1855

Charles Meryon

A work made of pen and brush and black ink with extraneous red ink on cream wove paper.

Untitled, 1996

Raymond Pettibon

A work made of oil on panel.

Virgin and Child, 1460/65

Workshop of Rogier van der Weyden

A work made of pen and brown ink with brush and brown wash and traces of red chalk, on cream laid paper, laid down on ivory laid paper.

Design for Overdoor: Two Ignudi with Dolphins and Shields, n.d.

Circle of Francesco Salviati

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Red Setters in Red Field, Charlotte, North Carolina, April 1976, printed c. 1981

John Pfahl

A work made of red chalk, with stumping, and brush and red chalk wash, on cream laid paper, tipped onto tan wove paper.

Mystic Marriage of Saint Catherine, 18th century

Style of Correggio

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