Curator

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Print on cream paper featuring a black background and a tangle of dark red strokes filling the frame from the bottom right.

Lady in Red, n.d.

Eugene Larkin

A work made of color screenprint on off-white wove paper.

Untitled, from Screen Prints 1970, 1970

Don Roger Gill

A work made of screenprint on gray wove paper.

Most Unstationary, from Screen Prints 1970, 1970

Tom Mapp

A work made of color lithograph on ivory wove paper.

Come Sunday, from 1776 USA 1976: Bicentennial Prints, 1975

Romare Howard Bearden

A work made of color woodblock print; chuban.

Young Woman with a Caged Monkey (Calendar Print for New Year 1776), 1776

Katsukawa Shunsho

A work made of color screenprint on coated off-white wove paper.

Westward Ho!, from Screen Prints 1970, 1970

Harold Allen

A work made of wood-block print in black ink, with touches of red and black watercolor, on cream wove paper.

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of screenprint on coated white wove paper.

Fingerprinting, from Screen Prints 1970, 1970

Jack Burnham

A work made of screenprint on gray wove paper.

Sacred Heart Ranch, from Screen Prints 1970, 1970

Gary Wilding

A work made of color screenprint monotype on lambda print on thin white card.

Untitled, from Re-print, 2009

Pieter Vermeersch

A work made of gelatin silver print.

Equivalent, from Set A (Third Set, Print 1), 1929

Alfred Stieglitz

Print of four men seated, possibly in an opera box. Two chat while the others look out through small optical devices.

Les-Parents-Terribles series: Here is the little Dancer, 1852

Paul Gavarni

A work made of color lithograph on white wove paper.

Sun and Sea, from 1776 USA 1976: Bicentennial Prints, 1975

Fairfield Porter

A work made of hand-colored woodblock print; oban, sumizuri-e.

The insistent lover, from an untitled series of erotic prints, c. 1684/98

Sugimura Jihei

A work made of screenprint on yellowish cream wove paper.

Untitled, from Screen Prints 1970, 1970

John Schnell

A work made of lift-ground aquatint and etching in black on ivory wove paper.

Invitation, 1963

Arthur Thrall

A work made of gelatin silver print.

Equivalent, from Set A (Third Set, Print 3), 1929

Alfred Stieglitz

A work made of gelatin silver print.

Equivalent, from Set A (Third Set, Print 5), 1929

Alfred Stieglitz

A work made of screenprint on off-white wove card.

Coop Coop, Etc Etc, from Screen Prints 1970, 1970

Cosmo

Abstract sketching with think black lines in the top half that grow to a dominant black ground in the bottom half. Between the black are areas of light-brown, white, and gray textured with striations.

Landscape Against the Light, n.d.

Mario Prassinos

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