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A work made of stumped charcoal, with erasing and touches of direct charcoal marks, on ivory wove paper, pieced.

Seated Nude with Arms Raised, c. 1925

Henri Matisse

A work made of palladium print, no.1 from the portfolio "diez desnudos (ten nudes)" (1981).

Sin Título (Without Title), 1978

Manuel Alvarez-Bravo

A work made of pastel on red wove paper.

Seated Female Nude, c. 1965

George Segal

A work made of drypoint on ivory wove paper.

The Nude Model, 1927

Pablo Picasso

A work made of palladium print, no. 5 from the portfolio "diez desnudos (ten nudes)" (1981).

Xipetotec, 1979

Manuel Alvarez-Bravo

A work made of gelatin silver print.

Nude, 1934, printed 1953/54

Edward Weston

A work made of chromogenic print.

Laura & Eric, 1995

Laura Letinsky

A work made of soft ground etching on bright cream laid paper.

Seated Nude Woman, c. 1906

Pierre-Auguste Renoir

A work made of gelatin silver print, with applied graphite.

Untitled (Nude), 1937

Victor Chalupski

A work made of gelatin silver print.

Nude on Sand, Oceano, 1936, printed 1953/54

Edward Weston

A work made of bronze, dark brown patina.

Aeolus and the Winds, 1600/1700

Flemish

A work made of pen and black ink on ivory wove paper.

Nudes in Trees, n.d.

Louis Soutter

A work made of gelatin silver print.

Nude No. 92, New York, 1949/50, printed 1949/50

Irving Penn

Brightly colored painting of a medium-skinned nude woman sitting on pink sand with her feet in a multicolored body of water, flanked by two nude figures resting in the fetal position. Behind them is a deity sculpture and individuals carrying objects, dancing, and swimming.

Mahana no atua (Day of the God), 1894

Paul Gauguin

A work made of oil on canvas.

The Golden Age, 1875

Sir John Edward Poynter

A work made of black and white chalk, with stumping (recto), and black chalk (verso), on blue laid paper.

Nude Woman Seated with Nude Man Asleep (recto); Female Torso Seen from Behind (verso), 1875 (recto); c. 1875 (verso)

Jean Béraud

A work made of black chalk, with stumping and white heightening (recto), charcoal with white heightening (verso), on buff laid paper.

Standing Male Nude (recto); Classical Head (verso), n.d.

Paul Émile Detouche

A work made of gouache and black crayon on yellow wove paper.

Three Nudes in the Forest, 1911

Max Pechstein

A work made of oil on canvas.

The Sacred Grove, Beloved of the Arts and the Muses, 1884–89

Pierre Puvis de Chavannes

A work made of oil on canvas.

Apollo Granting Phaeton Permission to Drive the Chariot of the Sun, c. 1695

Johann Michael Rottmayr

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