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A work made of pastel, with touches of charcoal and traces of stumping, heightened with white chalk, on gray wove paper.

Female Nude, Supine with Head Turned Down, n.d.

Adolf Hirémy-Hirschl

A work made of pen and black ink and graphite, on cream wood pulp laminate board.

Female Nude, 1914

Max Weber

A work made of etching in brown ink on white wove paper.

Nude Study, 1884

Anders Zorn

A work made of charcoal, with oiled charcoal, heightened with traces of white chalk, on blue laid paper, laid down on ivory laid paper.

Reclining Nude, 1600/20

Workshop of Domenico Tintoretto

A work made of lithograph in black on ivory wove paper.

Nude in an Armchair, with a Mashrabiya Background, 1925

Henri Matisse

A work made of pen and brown ink, on cream wove paper prepared with a pale brown wash.

Legs and Feet of Male Nude, 1812/50

Michelangelo Buonarroti

A work made of brown crayon, heightened with white crayon, on dark tan wove paper, laid down on tan cardboard.

Seated Female Nude, 1920/38

Ivan Meštrović

A work made of graphite on ivory wove paper.

Three Nudes Reclining on a Beach, 1920

Pablo Picasso

A work made of oil on panel.

The Dream of Paris, 1536

Monogrammist PG

A work made of watercolor, with graphite, on cream wove paper.

Standing Female Nude, Seen From Rear, n.d.

Auguste Rodin

A work made of drypoint with foul biting in black ink on ivory laid paper.

Nude Girl with Arms Raised, 1873/78

James McNeill Whistler

A work made of oil on panel.

Apollo and Marsyas, 1888

Hans Thoma

A work made of oil on panel.

Eve, 1533–37

Lucas Cranach the Elder

A work made of pen and black ink on cream wove paper, discolored to tan.

Recumbant Female Nude, Seen from Back, n.d.

André Dunoyer de Segonzac

A work made of gelatin silver print, from the portfolio "photographs: rhode island school design, 1967–68".

Nude, 1967

Jeffrey Silverthorne

A work made of graphite, with stumping, on tan wove paper, laid down on buff wove paper.

Standing Female Nude, Bending Forward, n.d.

Auguste Rodin

A work made of watercolor and gouache, with pen and black ink and graphite (recto), and watercolor (verso), on off-white watercolor paper.

Standing Female Nude (recto); Standing Female Nude (verso), 1919/1942

Francis Chapin

A work made of oil on canvas.

The Expulsion of Adam and Eve from Paradise, 1791, retouched 1803

Benjamin West

A work made of gelatin silver print.

Eleanor, Aix-en-Provence, France, 1958

Harry Callahan

Bronze sculpture of a nude woman with her right arm extended upward and her left arm stretched out to her side, each slightly and elegantly curved. She stands very straight, with her right leg extended and on the ball of her right foot, as if about to move.

Dancer Ready to Dance, Right Foot Forward, Modeled 1882–95, cast 1919–21

Hilaire Germain Edgar Degas

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