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  • Art Institute Chicago
  • Harvard art museum
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A work made of gelatin silver print.

Nude, Chicago, March 1960

Kenneth Josephson

A work made of bronze.

Woman Seated in an Armchair, Modeled c. 1903, cast 1919–21

Hilaire Germain Edgar Degas

A work made of dye imbibition print, no. 4 from the portfolio "oxydationen aus der alten fischauktionshalie, hamburg, altona" (1978).

Eisenfeiler mit Abflussrohr, 1978

Lehndorff and Trülzsch

A work made of etching on ivory wove paper.

Nude with Sea Shells, n.d.

Raoul Dufy

A work made of etching and drypoint on cream laid paper.

Kneeling Nude, 1930

Jacques Villon

A work made of chromogenic print.

Laura & Eric, 1995

Laura Letinsky

A work made of black chalk on buff laid paper.

Study of a Nude Man, 1645–51

Abraham Bloemaert

A work made of patinated bronze.

Aeolus and the Winds, 1600–1700

Flemish

A work made of pen and brown ink, with brush and brown and gray wash, over traces of graphite, with red chalk offset, on cream laid paper, pieced together.

Reclining Female Nude, 1585/1600

Unknown Northern Italian

A work made of pen and brown ink on ivory laid paper, laid down on ivory laid paper.

Standing Male Nude, 1680/99

Andrea del Sarto

Brightly colored painting of a medium-skinned nude woman sitting on pink sand with her feet in a multicolored body of water, flanked by two nude figures resting in the fetal position. Behind them is a deity sculpture and individuals carrying objects, dancing, and swimming.

Mahana no atua (Day of the God), 1894

Paul Gauguin

A work made of oil on canvas.

The Golden Age, 1875

Sir John Edward Poynter

A work made of pastel, with touches of charcoal and traces of stumping, heightened with white chalk, on gray wove paper.

Female Nude, Supine with Head Turned Down, n.d.

Adolf Hirémy-Hirschl

A work made of etching in brown ink on white wove paper.

Nude Study, 1884

Anders Zorn

A work made of pen and black ink and graphite, on cream wood pulp laminate board.

Female Nude, 1914

Max Weber

A work made of charcoal, with oiled charcoal, heightened with traces of white chalk, on blue laid paper, laid down on ivory laid paper.

Reclining Nude, 1600/20

Workshop of Domenico Tintoretto

A work made of oil on canvas.

The Sacred Grove, Beloved of the Arts and the Muses, 1884–89

Pierre Puvis de Chavannes

A work made of lithograph in black on ivory wove paper.

Nude in an Armchair, with a Mashrabiya Background, 1925

Henri Matisse

A work made of pen and brown ink, on cream wove paper prepared with a pale brown wash.

Legs and Feet of Male Nude, 1812/50

Michelangelo Buonarroti

A work made of brown crayon, heightened with white crayon, on dark tan wove paper, laid down on tan cardboard.

Seated Female Nude, 1920/38

Ivan Meštrović

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