Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of chromogenic print.

North Tower, October 24, 2001, printed 2006

Joel Meyerowitz

Rattle

Rattle, 1100–1470

Chimú

A work made of chromogenic print.

Heart Mountain Relocation Center, Alternate Highway 14, twelve miles north of Cody, Wyoming, from the series "On This Site: Landscape in Memoriam", August 1994, printed September 1996

Joel Sternfeld

A work made of ceramic and pigment.

Jar in the Form of a Human Head Showing Teeth, 100 BCE–500 CE

Moche

A work made of photogravure, plate 202 from "the north american indian, volume 6" (1911).

Middle Calf-Piegan, 1900

Edward S. Curtis

A work made of photogravure, plate 174 from "the north american indian, volume 5" (1909).

Red Whip - Atsina, 1908

Edward S. Curtis

A work made of photogravure, plate 394 from "the north american indian, volume 11" (1916).

The Whaler-Clayoquot, 1915

Edward S. Curtis

A work made of cotton, plain weave with discontinuous wefts; openwork; resist dyed.

Ceremonial Textile (mbesa tali tau batu or pewo), 18th/19th century

Rongkong

A work made of chromogenic print.

Simchat Torah, North Shore Congregation, 1994

Jay Wolke

A work made of cotton and wool (camelid), slit and single interlocking tapestry weave with eccentric wefts.

Patch, 1000-1476

Lambayeque

A work made of ceramic and pigment.

Single Spout Vessel in the Form of the Head of a Llama, 1000–1400

Chimú

A work made of earthenware and pigment.

Double Chambered Vessel in the Form of Seated Figure, Possibly Deceased, 600–800

Moche

A work made of photogravure, plate 247 from "the north american indian, volume 7" (1911).

Luqaíôt - Kittitas, 1910

Edward S. Curtis

A work made of photogravure, plate 505 from "the north american indian, volume 14" (1924).

A Chukchansi Matron, 1924

Edward S. Curtis

Man's Kilt and Flap, meant to be used in Buffalo Dance Ceremony

Man's Kilt and Flap, meant to be used in Buffalo Dance Ceremony, 1925/50

San Felipe

A work made of wool, single interlocking tapestry weave; twined selvages, heading and finish terminating in tassels.

Rug or Wall Hanging in the "Two Grey Hills" Style, 1960s

Sara Begody

A work made of ceramic and pigment.

Handle Spout Vessel in the Form of a Seated Figure Wearing Tied Shawl, 100 BCE–500 CE

Moche

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Hip Wrapper (Kain Panjang), c. 1970

Workshop of H. Mohammed Masina

A work made of two panels joined: cotton and wool (camelid), slit and single dovetailed tapestry weave with eccentric and wrapping outlining wefts; one panel embroidered with laced running stitches.

Fragment, 1000-1476

Lambayeque

Gourd-Shaped Blackware Jar with Standing Puma on Shoulder

Gourd-Shaped Blackware Jar with Standing Puma on Shoulder, 200 BCE–200 CE

Salinar

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