Curator

  • Art Institute Chicago
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A work made of ceramic and pigment.

Handle Spout Vessel in Form of a Bird Eating a Snake, 100 BCE–500 CE

Moche

A work made of cotton and wool (camelid), slit tapestry weave.

Panel, 1000/1476

Lambayeque

A work made of graphite on linen.

860–880 North Lake Shore Drive, Basement Floor Framing Plan, 11/9/1949

Frank J. Kornacker Associates

A work made of ceramic and pigment.

Handle Spout Vessel Depicting an Erotic Scene, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Ceremonial Vessel with Masked Deities, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Spout Vessel in the Form of a Gourd, 250–500 CE

Moche

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Roan Mountain Lightning, Roan Mountain, North Carolina, 1977, printed c. 1981

John Pfahl

A work made of photogravure on vellum, from "the north american indian".

A Corner of Zuni, 1903

Edward S. Curtis

A work made of cotton, plain weave; embroidered with wool in tent stitches; beaded with glass and metal beads with cotton; edged with silk, plain weave.

Furnishing Valence, 1850-1875

A work made of cotton and wool (camelid), slit tapestry weave; edged with plain weave extended weft cut fringe.

Fragment (Loincloth), A.D. 1250/1470

Chimú

A work made of gold.

Stater (Coin) Depicting a Quadriga, 322-308 BCE

Ancient Greek

A work made of various.

North Park College and Theological Seminary, Chicago, Illinois, Working Drawings, 1962-1963

Bertrand Goldberg

A work made of graphite on board.

North Kansas City Redevelopment, Kansas City, Missouri, Perspective, c. 1952

Bertrand Goldberg

A work made of ceramic and pigment.

Jar in the Form of a Captive with Modeled Head, Rope Encircling Neck, and Tied Hands, 100 BCE–500 CE

Moche

A work made of ceramic.

Stirrup Spout Vessel with Raised Geometric Scroll Motif, c. 500 BCE

Chavín

A work made of chromogenic print.

"Learning" by Jean Charlot, Camp Rockmount, Black Mountain, North Carolina, from the series "Sweet Earth: Experimental Utopias in America", April 2005

Joel Sternfeld

A work made of cotton and camelid wool, slit tapestry weave; edged with plain weave extended weft cut fringe.

Loincloth Panel, 1250/1470

Chimú

A work.

North Carolina Lily Quilt, c.1850

A work made of gelatin silver print.

Emmons County, North Dakota, 1989, printed 2002

Greg Conniff

A work made of gelatin silver print.

McCormick Place, North Annex, Chicago, 1985

Carlos Morales

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