A work made of cotton and camelid wool, slit tapestry weave with eccentric wefts.

Panel, 1250/1470

Chimú

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Roan Mountain Lightning, Roan Mountain, North Carolina, 1977, printed c. 1981

John Pfahl

A work made of ceramic and pigment.

Portrait Vessel of a Ruler with a Skeletal Face and Ornate Earings, 100 BCE–500 CE

Moche

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Tubular Skirt (Sarong), c. 1900

A work made of cotton and wool (camelid), slit tapestry weave with single warp wrapping, outlining and eccentric wefts, and uncut weft loop pile.

Panel, 1000/1476

Lambayeque

A work made of various.

North Park College and Theological Seminary, Chicago, Illinois, Working Drawings, 1962-1963

Bertrand Goldberg

A work made of graphite on board.

North Kansas City Redevelopment, Kansas City, Missouri, Perspective, c. 1952

Bertrand Goldberg

A work made of cotton and wool (camelid), slit tapestry weave; edged with plain weave extended weft cut fringe.

Fragment (Loincloth), A.D. 1250/1470

Chimú

A work made of photogravure on vellum, from "the north american indian".

A Corner of Zuni, 1903

Edward S. Curtis

A work made of chromogenic print.

"Learning" by Jean Charlot, Camp Rockmount, Black Mountain, North Carolina, from the series "Sweet Earth: Experimental Utopias in America", April 2005

Joel Sternfeld

A work made of gelatin silver print.

Emmons County, North Dakota, 1989, printed 2002

Greg Conniff

A work made of gelatin silver print.

McCormick Place, North Annex, Chicago, 1985

Carlos Morales

A work made of ceramic and pigment.

Stirrup Spout Vessel with Raised Deer Hunt Motifs, 100 BCE–500 CE

Moche

A work made of ceramic.

Vessel with Double-Horned Spouts, 1000–1470

Lambayeque

A work made of gelatin silver print.

The Shea's Kids Playing, Hazelton, North Dakota, 1985

Thomas Frederick Arndt

A work made of pen and black ink, over traces of red chalk and graphite, on ivory wove paper, laid down on card.

A North American Indian (Study for historiated A in "Les chefs-d'oeuvre d'art à l'Exposition universelle 1878"), 1878

Rodolphe Bresdin

A work made of ceramic and pigment.

Vessel in the Form of an Animal with Four Legs and Long Tail, 400 BCE–200 CE

Gallinazo

A work made of ceramic and pigment.

Vessel in the Form of a Abstract Head Combining Human and Animal Features, 100 BCE–500 CE

Moche

A work made of silver.

Porringer, 1912–21

Lebolt and Company

A work made of ceramic.

Double Vessel with a Seated Figure, 1200–1450

Chimú