Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of cotton and wool (camelid), slit tapestry weave; edged with plain weave extended weft cut fringe.

Loincloth Panel, 1250-1470

Chimú

A work made of ceramic and pigment.

Spout Vessel in Form of Snakes Coiling Around a Feline, 100 BCE–500 CE

Moche

A work made of carbon transfer, blue ballpoint pen, watercolor, and colored pencil on tan wove paper.

Flowering Pine Tree in Sirrea (sic) Nevada Strip North East California, c. 1965

Joseph Yoakum

A work made of cotton and wool (camelid), plain weave with brocading wefts.

Fragment, 1250-1470

Chimú

A work made of cotton, open plain weave; appliquéd with small panels of cotton and wool (camelid), slit and single interlocking tapestry weave, and cotton and wool (camelid), slit tapestry weave medallions; edged in plain weave with extended weft fringe; cotton cord, embroidered with wool (camelid) in cross-knit loop stitches neck edging; cotton and wool (camelid), slit and single interlocking tapestry weave with eccentric and interlaced outlining wefts bottom band.

Tunic, 1000-1476

Lambayeque

A work made of ceramic and pigment.

Vessel in Form of Stacked Bowls of Fruits, Vegetables, and Peanuts, 250–500 CE

Moche

A work made of ceramic and pigment.

Vessel Depicting a Figure on Top of a Seven-Peaked Mountain, 100 BCE–500 CE

Moche

A work made of ceramic.

Jar in the Form of an Erotic Scene, 1200–1470

Chimú-Inca

A work made of ceramic and pigment.

Handle Spout Vessel in Form of a Female and Skeletal Figure in an Erotic Embrace, 100 BCE–500 CE

Moche

A work made of gelatin silver print.

Joe Shea and His Oldest Son, Jim; Hazelton, North Dakota, 1985

Thomas Frederick Arndt

A work made of sepia print.

Vincent Kling Studios, 639 North Fairbanks Court, Chicago, Illinois: Interior Perspective of Art Director's Office, Second Floor, 1945/46

Henry Peter Glass

A work made of chromogenic print, from the portfolio "twelve photographs".

Washington Ave., North Adams, Massachusetts, July 14, 1974, printed 1976

Stephen Shore

A work made of ceramic and pigment.

Stirrup Vessel in the Form of Multi-Headed Feline Being, 250–500 CE

Moche

A work made of cotton and wool (camelid), plain weave with discontinuous wefts and single dovetailed tapestry weave; edged with cross-knit loop stitches.

Fragment, 500 CE-1000

Moche

A work made of copper.

Feline Mask, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Vessel Depicting Feline Figures, 100 BCE–500 CE

Moche

A work made of ceramic.

Blackware Vessel with Relief Depicting a Scene of Human Sacrifice, 100 BCE–500 CE

Moche

A work made of graphite on cream wove paper.

North Aisle, Westminster Abbey, c. 1809

Augustus Charles Pugin

Still life painting of dead waterfowl and vegetables in windowsill.

Portrait Vessel of a Ruler with Mustache and Feathered Headdress, 100 BCE–500 CE

Moche

A work made of photogravure, plate 369 from "the north american indian, volume 11" (1916).

The Seaweed Gatherer, 1915

Edward S. Curtis

<<<23242526 >>>