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A work made of cotton and wool (camelid), slit and single interlocking tapestry weave with eccentric wefts.

Patch, 1000/1476

Lambayeque

A work made of gelatin silver print.

Joe Shea and His Oldest Son, Jim; Hazelton, North Dakota, 1985

Thomas Frederick Arndt

A work made of cotton and wool (camelid), slit tapestry weave; edged with plain weave extended weft cut fringe.

Loincloth Panel, 1250/1470

Chimú

A work made of ceramic and pigment.

Spout Vessel in Form of Snakes Coiling Around a Feline, 100 BCE–500 CE

Moche

A work made of cotton and wool (camelid), plain weave with brocading wefts.

Fragment, A.D. 1250/1470

Chimú

A work made of cotton, open plain weave; appliquéd with small panels of cotton and wool (camelid), slit and single interlocking tapestry weave, and cotton and wool (camelid), slit tapestry weave medallions; edged in plain weave with extended weft fringe; cotton cord, embroidered with wool (camelid) in cross-knit loop stitches neck edging; cotton and wool (camelid), slit and single interlocking tapestry weave with eccentric and interlaced outlining wefts bottom band.

Tunic, 1000/1476

Lambayeque

A work made of chromogenic print, from the portfolio "twelve photographs".

Washington Ave., North Adams, Massachusetts, July 14, 1974, printed 1976

Stephen Shore

A work made of sepia print.

Vincent Kling Studios, 639 North Fairbanks Court, Chicago, Illinois: Interior Perspective of Art Director's Office, Second Floor, 1945/46

Henry Peter Glass

A work made of wool, single interlocking tapestry weave; twined selvages, heading and finish terminating in tassels.

Rug or Wall Hanging in the "Two Grey Hills" Style, 1960s

Sara Begody

A work made of ceramic and pigment.

Vessel in Form of Stacked Bowls of Fruits, Vegetables, and Peanuts, 250–500 CE

Moche

A work made of ceramic and pigment.

Vessel Depicting a Figure on Top of a Seven-Peaked Mountain, 100 BCE–500 CE

Moche

A work made of ceramic.

Jar in the Form of an Erotic Scene, 1200–1470

Chimú-Inca

A work made of ceramic and pigment.

Handle Spout Vessel in Form of a Female and Skeletal Figure in an Erotic Embrace, 100 BCE–500 CE

Moche

A work made of graphite on cream wove paper.

North Aisle, Westminster Abbey, c. 1809

Augustus Charles Pugin

A work made of wool, wedge tapestry weave, bound edges with corner tassels.

Men's Wearing Blanket (Third Phase Chief Style), c. 1870–1880

Navajo (Diné)

A work made of ceramic and pigment.

Stirrup Vessel in the Form of Multi-Headed Feline Being, 250–500 CE

Moche

A work made of cotton and wool (camelid), plain weave with discontinuous wefts and single dovetailed tapestry weave; edged with cross-knit loop stitches.

Fragment, A.D. 500/1000

Moche

A work made of photogravure, plate 369 from "the north american indian, volume 11" (1916).

The Seaweed Gatherer, 1915

Edward S. Curtis

A work.

Bedcover (North Carolina Lily Quilt), c.1850

A work made of copper.

Feline Mask, 100 BCE–500 CE

Moche

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