Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A painting of a light-skinned man in a suit and glasses standing in profile and a light-skinned woman with chin-length gray hair and wearing a full-length bright-pink robe stand in a courtyard with various sculptures. Between them is a large stone on a plinth, behind them a green abstracted seated figure, and off to the right a totem pole.

American Collectors (Fred and Marcia Weisman), 1968

David Hockney

A work made of limestone.

Church Lady, 1933–37

William Edmondson

A work made of oil on canvas.

Piercing the Stars, 1951

Yves Tanguy

Portrait of man in suit against background of yellow and orange.

Commerce Counselor Ebenstein, 1908

Oskar Kokoschka

A work made of oil on canvas.

Head of a Young Woman, 1926

Marie Laurencin

A work made of earthenware and glaze.

Sauceboat and underplate ("American Modern" Dinnerware), 1937–59

Russel Wright

A work made of oil on canvas.

Faintness (Matité), 1951

Georges Mathieu

A work made of oak and rosewood.

Music Stand, 1964

Wendell Castle

A work made of cotton and rayon, plain weave self patterned by main warps and ground weft floats; roller printed.

Deer Season (Furnishing Fabric), 1950

Rockwell Kent

Painting of cream and brown colored house seen through a thicket of trees.

Forest at Martigues, 1908

André Derain

A work made of oil on burlap.

Painting 62, 1959

Manolo Millares

Painting of blue rabbit mid-jump amongst plants and flowers.

The Leap of the Rabbit, 1911

Amadeo de Souza Cardoso

Somewhat abstract and geometric painting of a clearly discernable, light-skinned female dancer, standing in profile, swaths of white lace fabric adorning and radiating from her, a fan in her hand.

Spanish Dancer, 1920s

Natalia Goncharova

A work made of cast polyester and polyurethane paint.

Le Cosmorama III, 1970

Jean Dubuffet

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

A work made of paint and nails on canvas over wood.

Vast Ocean, 1964

Günther Uecker

Painting of overlapping squares in grey, yellow, gold, and orange.

Homage to the Square: Light Passage, 1956

Josef Albers

A work made of oil on canvas.

Centre Bridge, 1904

Edward Willis Redfield

A work made of oil on canvas.

Têtes-paysage, 1928

Francis Picabia

Photograph of interior of large art gallery, visitors stand and look at paintings.

Art Institute of Chicago II, Chicago, 1990

Thomas Struth

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