Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of metal, plastic, and wood objects.

Pitchfork Lady, 1964

Don Baum

Painting of town and bay filled with ships composed of geometric shapes.

Landscape, 1912

Amadeo de Souza Cardoso

A work made of limestone.

Church Lady, 1933–37

William Edmondson

A painting of a light-skinned man in a suit and glasses standing in profile and a light-skinned woman with chin-length gray hair and wearing a full-length bright-pink robe stand in a courtyard with various sculptures. Between them is a large stone on a plinth, behind them a green abstracted seated figure, and off to the right a totem pole.

American Collectors (Fred and Marcia Weisman), 1968

David Hockney

A work made of oil on canvas.

Piercing the Stars, 1951

Yves Tanguy

A work made of cotton and rayon, plain weave self patterned by main warps and ground weft floats; roller printed.

Deer Season (Furnishing Fabric), 1950

Rockwell Kent

Portrait of man in suit against background of yellow and orange.

Commerce Counselor Ebenstein, 1908

Oskar Kokoschka

A work made of oil on canvas.

Head of a Young Woman, 1926

Marie Laurencin

A work made of oak and rosewood.

Music Stand, 1964

Wendell Castle

A work made of oil on canvas.

Faintness (Matité), 1951

Georges Mathieu

A work made of oil on burlap.

Painting 62, 1959

Manolo Millares

Painting of cream and brown colored house seen through a thicket of trees.

Forest at Martigues, 1908

André Derain

A work made of cast polyester and polyurethane paint.

Le Cosmorama III, 1970

Jean Dubuffet

Somewhat abstract and geometric painting of a clearly discernable, light-skinned female dancer, standing in profile, swaths of white lace fabric adorning and radiating from her, a fan in her hand.

Spanish Dancer, 1920s

Natalia Goncharova

A work made of paint and nails on canvas over wood.

Vast Ocean, 1964

Günther Uecker

A work made of oil on canvas.

Centre Bridge, 1904

Edward Willis Redfield

A work made of granite.

Ram, c. 1930

John Bernard Flannagan

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

Painting of overlapping squares in grey, yellow, gold, and orange.

Homage to the Square: Light Passage, 1956

Josef Albers

Photograph of interior of large art gallery, visitors stand and look at paintings.

Art Institute of Chicago II, Chicago, 1990

Thomas Struth

<<<45464748 >>>