Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting of cream and brown colored house seen through a thicket of trees.

Forest at Martigues, 1908

André Derain

A work made of earthenware and glaze.

Sauceboat and underplate ("American Modern" Dinnerware), 1937–59

Russel Wright

A work made of painted wood, mirror, and plexiglas.

Dictionary for Building: Fireplace Mantel, 1981–82

Siah Armajani

A work made of oil on canvas.

Centre Bridge, 1904

Edward Willis Redfield

A painting of a light-skinned man in a suit and glasses standing in profile and a light-skinned woman with chin-length gray hair and wearing a full-length bright-pink robe stand in a courtyard with various sculptures. Between them is a large stone on a plinth, behind them a green abstracted seated figure, and off to the right a totem pole.

American Collectors (Fred and Marcia Weisman), 1968

David Hockney

A work made of oil on canvas.

An Antique Orison, c. 1914

Arthur B. Davies

A work made of laminated plywood.

Queen Anne Chair in Grandmother pattern, designed 1984 (made 1989)

Robert Venturi

A work made of oil on canvas.

Woman on Rose Divan, 1921

Henri Matisse

A work made of oil and canvas on linen.

Seated Figure, 1953/54

Conrad Marca-Relli

Somewhat abstract and geometric painting of a clearly discernable, light-skinned female dancer, standing in profile, swaths of white lace fabric adorning and radiating from her, a fan in her hand.

Spanish Dancer, 1920s

Natalia Goncharova

A work made of oil on canvas.

Alphabet de la Tête, 1938

Victor Brauner

A work made of oil on canvas.

Rue Winterbotham Carpenter, 1920

Arthur Ambrose McEvoy

A work made of oil on canvas.

Still Life with Queen, 1912

Gabriele Münter

Painting of overlapping squares in grey, yellow, gold, and orange.

Homage to the Square: Light Passage, 1956

Josef Albers

A work made of cotton and rayon, float weave; photomechanically-etched roller printed.

Harvest Time (Fragment), 1950

Rockwell Kent

Photograph of interior of large art gallery, visitors stand and look at paintings.

Art Institute of Chicago II, Chicago, 1990

Thomas Struth

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

A work made of pastel on canvas, on burlap.

Women Harvesting, 1937

Paul Klee

Painting of four figures against a background of black, yellow, orange, and red.

Three Pierrots and Harlequin, 1914

Albert Bloch

A work made of oil on canvas.

Magnetic Mountain, 1948

Kurt Seligmann

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