Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on canvas.

Head of a Young Woman, 1926

Marie Laurencin

A work made of oil on canvas.

Magnetic Mountain, 1948

Kurt Seligmann

A work made of oil on canvas.

Faintness (Matité), 1951

Georges Mathieu

Portrait of man in suit against background of yellow and orange.

Commerce Counselor Ebenstein, 1908

Oskar Kokoschka

A work made of oil on canvas.

Untitled, 1953

Jean-Paul Riopelle

Painting of cream and brown colored house seen through a thicket of trees.

Forest at Martigues, 1908

André Derain

A work made of paint and nails on canvas over wood.

Vast Ocean, 1964

Günther Uecker

A work made of painted wood, mirror, and plexiglas.

Dictionary for Building: Fireplace Mantel, 1981–82

Siah Armajani

A work made of oil on canvas.

Centre Bridge, 1904

Edward Willis Redfield

A work made of oil on canvas.

An Antique Orison, c. 1914

Arthur B. Davies

A work made of laminated plywood.

Queen Anne Chair in Grandmother pattern, designed 1984 (made 1989)

Robert Venturi

A painting of a light-skinned man in a suit and glasses standing in profile and a light-skinned woman with chin-length gray hair and wearing a full-length bright-pink robe stand in a courtyard with various sculptures. Between them is a large stone on a plinth, behind them a green abstracted seated figure, and off to the right a totem pole.

American Collectors (Fred and Marcia Weisman), 1968

David Hockney

A work made of oil and canvas on linen.

Seated Figure, 1953/54

Conrad Marca-Relli

A work made of oil on canvas.

Rue Winterbotham Carpenter, 1920

Arthur Ambrose McEvoy

Somewhat abstract and geometric painting of a clearly discernable, light-skinned female dancer, standing in profile, swaths of white lace fabric adorning and radiating from her, a fan in her hand.

Spanish Dancer, 1920s

Natalia Goncharova

A work made of cotton and rayon, float weave; photomechanically-etched roller printed.

Harvest Time (Fragment), 1950

Rockwell Kent

Painting of overlapping squares in grey, yellow, gold, and orange.

Homage to the Square: Light Passage, 1956

Josef Albers

Photograph of interior of large art gallery, visitors stand and look at paintings.

Art Institute of Chicago II, Chicago, 1990

Thomas Struth

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

Painting of four figures against a background of black, yellow, orange, and red.

Three Pierrots and Harlequin, 1914

Albert Bloch

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