Curator

  • Art Institute Chicago
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A work made of oil pastel, paint, resin, and a collage of cut and torn papers on pieced, cream wove paper.

Marine Light Study (Sailors and Angels), III-2, 1987

Gordon Newton

A work made of oil pastel, paint, polyurethane varnish, resin, and collage of cut and torn paper on cream wove paper.

Marine Light Study (Sailors and Angels), V-12, 1987

Gordon Newton

A work made of oil stick, paint, polyurethane varnish and resin on cream wove paper.

Marine Light Study (Sailors and Angels), VI-1, 1988

Gordon Newton

A work made of oil pastel, paint, polyurethane varnish, resin, and collage of torn paper on cream wove paper.

Marine Light Study (Sailors and Angels), VIII-4, 1988

Gordon Newton

A work made of oil pastel, paint, polyurethane varnish, resin and collage of torn paper on pieced, cream wove paper.

Marine Light Study (Sailors and Angels), V-1, 1987

Gordon Newton

A work made of oil pastel, paint, polyurethane varnish, resin, and collage of torn paper on cream wove paper.

Marine Light Study (Sailors and Angels), VIII-2, 1987

Gordon Newton

A work made of etching on light gray china paper laid down on ivory wove paper.

Landscape, Willow Trees, c. 1845

Charles Émile Jacque

A work made of etching, roulette, aquatint, and scraping in light brown and black on white wove paper.

Vulcan's Isle, 1962

Letterio Calapai

A work made of chiaroscuro woodcut from four blocks in black, light and medium brownish gray and dark gray on off-white laid paper.

Triumph of Caesar, 1599

Andrea Andreani

A work made of lithograph in black on light-gray china paper laid down on ivory wove paper.

The Old Woman: "What are you afraid of? A wide black hole! It is empty, perhaps?", plate 19 of 24, 1896

Odilon Redon

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Upon Awakening I Saw the Goddess of the Intelligible With Her Severe and Hard Profile, plate 6 of 6, 1885

Odilon Redon

A work made of etching and drypoint on light gray chine laid down on ivory wove paper.

The Orchard, 1868

Charles François Daubigny

A work made of hard ground etching, with plate tone, in black on handmade, light gray paper.

I'm not stopping, 1977

Jim Nutt

A work made of etching on light gray chine laid down on white wove paper.

The Banks of the Cousin, 1850

Charles François Daubigny

A work made of plastic film, light polarizer with color filter and diffuser, turntable, and lacquered wood.

Raised Rock, 2016

Adam Peiperl

A work made of screenprint in dark and light green on cream wove paper.

Now You Have Touched The Women…, 1981

Judy Ann Seidman

A work made of black chalk and pastel, heightened with white chalk, on light brown laid paper, laid down on an eighteenth-century mount with framing lines.

Portrait of a Young Woman with Pearl Earrings, 1632/35

Simon Vouet

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Low Tide, plate six from Six Marines, 1833

Eugène Isabey

A work made of lithograph in light gray and black on ivory wove paper.

Nude Man, plate VII from The Midget and the Dwarf, 1960

Aubrey Schwartz

A work made of etching on light gray chine laid down on white wove paper.

Stags in the Woods, 1850

Charles François Daubigny

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