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A work made of etching on light gray china paper laid down on yellowish-ivory wove paper.

Crossing the Bridge, 1846

Charles Émile Jacque

A work made of pen and iron gall ink, with brush and dark gray, light gray and brownish gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper.

Study of a Warship's Prow with British Warships and Naples Harbor Beyond, c. 1748

Claude Joseph Vernet

A work made of pen and brown ink with brush and brown wash, over black chalk, heightened with white gouache, on tan laid paper, laid down on light-weight wove paper.

Roman Soldier, c. 1545

Paolo Farinati

A work made of chiaroscuro woodcut from four blocks in black and light, medium and dark greenish gray on off-white laid paper.

Triumph of Caesar, 1599

Andrea Andreani

A work made of gelatin silver print.

Light Drawing, 1939

Nathan Lerner

A work made of etching over photoengraving in black on handmade ivory laid paper.

Light Bulb I, from 1st Etchings, 2nd State, 1967–69

Jasper Johns

A work made of chiaroscuro woodcut in green, light brown, medium brown, and dark brown on cream laid paper.

Young Man Standing, 1721

Conte Antonio Maria Zanetti, the Elder

A work made of color woodblock print.

Fujiyama-First Light of the Sun, from the series "Ten Views of Fuji", 1926

Yoshida Hiroshi

A work made of gelatin silver print.

Photograph of Light and Acrylic, Student Project, Institute of Design, Chicago, Illinois, 1946-47

Mary Jo Slick

Central Park in the Dark Some 40 Years Ago, from Calcium Light Night

Central Park in the Dark Some 40 Years Ago, from Calcium Light Night, 1974

Eduardo Paolozzi

A work made of gelatin silver print.

Photograph of Light and Acrylic, Student Project, Institute of Design, Chicago, Illinois, 1946-47

Mary Jo Slick

A work made of northern blackware, cizhou type; light grey stoneware with white trailed slip under dark brown glaze.

Handled Ewer with Vertical Ribs, Northern Song dynasty (960–1127) or Jin dynasty (1115–1234), 12th/13th century

A work made of manuscript with 182 folios, 11 miniatures, 15 historiated initials and other decorations in tempera, gold leaf and colored inks, and littera textualis inscriptions in latin and french, in light black ink, ruled in red, on parchment, bound in leather stamped with various designs.

Book of Hours for the Use of Limoges, 1480/1500 (late 15th century binding)

Master of Catherine Gentille

A work made of lithograph in black on white wove paper.

Jules de L (also known as Lasteyrie the Argand lamp). Former member of the opposition, now ennemy of the light... blinded by the sudden appearance of the sun of the Republic, Jules de Lasteyrie now wears the eye-shade of the Constitutionnel, plate 33 from Les Représentans Représentés, 1850

Honoré-Victorin Daumier

A work made of gelatin silver print.

Ernő Weisz, 23-year-old Factory Worker, Budapest (Weisz Ernő, 23 éves gyári munkás, Budapest), from the series "Tiborc", 1932, printed 1955

Kata Kálmán

A work made of etching and roulette on light gray china paper laid down on ivory wove paper.

Evening, 1864

Charles Émile Jacque

A work made of lithograph in black on light gray china paper laid down on white wove paper.

Untitled, plate from Je regardais et je vis..., 1896

Jean Caldain

A work made of etching and aquatint, with embossing, on light gray-green wove paper.

Triangle 7, 1971

Gordon House

A work made of etching and plate tone on light green laid paper.

The Eure at the Pont des Saints-Pères, Chartres, 1912

Gustave Leheutre

A work made of lithograph in light green on white wove paper.

Spaghetti and Grass, 1965

James Rosenquist

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