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A work made of lithograph in black on white wove paper.

Jules de L (also known as Lasteyrie the Argand lamp). Former member of the opposition, now ennemy of the light... blinded by the sudden appearance of the sun of the Republic, Jules de Lasteyrie now wears the eye-shade of the Constitutionnel, plate 33 from Les Représentans Représentés, 1850

Honoré-Victorin Daumier

A work made of manuscript with 182 folios, 11 miniatures, 15 historiated initials and other decorations in tempera, gold leaf and colored inks, and littera textualis inscriptions in latin and french, in light black ink, ruled in red, on parchment, bound in leather stamped with various designs.

Book of Hours for the Use of Limoges, 1480/1500 (late 15th century binding)

Master of Catherine Gentille

A work made of northern blackware, cizhou type; light grey stoneware with white trailed slip under dark brown glaze.

Handled Ewer with Vertical Ribs, Northern Song dynasty (960–1127) or Jin dynasty (1115–1234), 12th/13th century

A work made of etching and roulette on light gray china paper laid down on ivory wove paper.

Evening, 1864

Charles Émile Jacque

A work made of lithograph in black on light gray china paper laid down on white wove paper.

Untitled, plate from Je regardais et je vis..., 1896

Jean Caldain

A work made of gelatin silver print.

Ernő Weisz, 23-year-old Factory Worker, Budapest (Weisz Ernő, 23 éves gyári munkás, Budapest), from the series "Tiborc", 1932, printed 1955

Kata Kálmán

A work made of etching and aquatint, with embossing, on light gray-green wove paper.

Triangle 7, 1971

Gordon House

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on cream laid paper prepared with light-brown wash.

Study for Male Allegorical Figure, n.d.

Taddeo Zuccaro

A work made of etching and plate tone on light green laid paper.

The Eure at the Pont des Saints-Pères, Chartres, 1912

Gustave Leheutre

A work made of lithograph in light green on white wove paper.

Spaghetti and Grass, 1965

James Rosenquist

A work made of etching, engraving, roulette and drypoint on light gray china paper, laid down on ivory wove paper.

Therefore be merry, Cassio, plate six from Othello, 1844

Théodore Chassériau

A work made of blue ballpoint pen and graphite on textured off-white wove paper placemat (discolored to light yellow), with off-set lithography in yellowish brown metal ink.

Schrafft's Hollywood Study, 1967

Ed Ruscha

A work made of lithograph on ivory wove paper.

Rhapsody of Light, c. 1939

Carl Hoeckner

A work made of lithograph in black on light gray china paper laid down on white wove paper.

Untitled, plate from Je regardais et je vis..., 1896

Jean Caldain

A work made of lithograph in light black on ivory wove paper.

Portrait of James Abbott McNeil Whistler, n.d.

Samuel Johnson Woolf

Snuff Bottle with Crane and Peach Branch

Snuff Bottle with Crane and Peach Branch, Qing dynasty (1644-1911)

A work made of wood-block print in black ink, over traces of brown ink, with hand-applied blue, light blue, several greens, pink, orange, pale-orange, yellow, pale-red, and dark-gray watercolor, on ivory japanese paper.

Noa Noa (Fragrant), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of lithograph in black on light gray china paper laid down on white wove paper.

Untitled, plate from Je regardais et je vis..., 1896

Jean Caldain

A work made of gelatin silver print.

Still Life, 1989

Toomas Kalve

A work made of opaque watercolor, gold leaf and mordant gilding with french inscriptions in gothica textualis in pen and light brown, red and blue ink, on parchment.

Leaf from a Picture Cycle: Christ Carrying the Cross, The Crucifixion, The Descent from the Cross, and the Entombment, 1325/50

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