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A work made of lacquered and gilded wood.

Candlestand, 1680/90

A work made of lithograph in black on ivory wove paper hinged to cream card.

View of Niagara Falls, n.d.

Édouard de Montulé

A work made of black chalk and pastel and stumping, with touches of white chalk and red conté crayon on light blue wove paper, laid down on cream wove paper, edge mounted to tan wove paper.

Head of a Fallen Soldier, 1847

Jean-Victor Schnetz

A work made of porcelain with light green glaze.

Snuff Bottle with Equestrian Figures, Qing dynasty (1644–1911)

A work made of lithograph in black, with tint stone in light brown, on cream laid paper.

Saint John's Cemetery with a View of the City of Nuremberg, from Collection of Memorable Medieval Buildings in Germany, 1819

Domenico Quaglio

A work made of albumen print, stereo.

Looking in at West entrance, by Electric light, No. 1550 from the series "St. Paul Ice Carnival", 1886/88

Henry Hamilton Bennett

A work made of red chalk on cream laid paper.

A Light Method of Vaulting, n.d

Henry William Bunbury

A work made of stoneware with light warm grey glaze.

Small bottle-shaped vase, Qing dynasty, Kangxi period, late 17th/early 18th century

A work made of ink and light color on silk.

Six Horses Grazing, Ming dynasty (1368–1644)

Scenes that Pass in the Night

Scenes that Pass in the Night, 1931

Gerald Kenneth Geerlings

Olympus

Olympus, 1929

Gerald Kenneth Geerlings

A work made of etching on light blue laid paper.

Hanno's Death, n.d.

Horst Janssen

A work made of etching on light gray wove paper.

Hanno's Death, 7/11/1973

Horst Janssen

A work made of ink and light colors on paper.

Monkey Trainers and Scenes of Chinese Life (耕作図屏風), Edo period (1615–1868), 17th century

Kano Yasunobu

A work made of ink and light colors on paper.

Monkey Trainers and Scenes of Chinese Life (耕作図屏風), Edo period (1615–1868), 17th century

Kano Yasunobu

A work made of hanging scroll; ink and light colors.

Autumn Mountains, Unknown

Kinkoku

A work made of etching with foul biting in brown ink on light gray laid paper.

The Title Page for 'Douze Eaux Fortes d'après Nature', 1858

James McNeill Whistler

A work made of various brown chalks, with touches of brush and brown chalk wash, heightened with white chalk, on cream laid paper, prepared with a light brown wash ground, laid down on heavy buff laid paper.

Venus Commanding Vulcan to Make Arms for Aeneas, 1767

François Boucher

A work made of transfer lithograph, with scraping, from six stones, in black (keystone), greenish gray, brown, light blue, yellow, and gray inks on ivory laid paper.

Yellow House, Lannion, 1893

James McNeill Whistler

A work made of manuscript cutting in tempera, with some incising, and gold leaf, and with latin inscriptions in brownish-black ink, ruled in light brown ink, on vellum.

Peacock, Birds, Flowers, Fruit and a Snail in a Decorated Border, with an Illuminated Initial "U" from a Choir Book, n.d., probably modern

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