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  • Art Institute Chicago
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A work made of pen and light blue ink on white wove paper.

Untitled, 2002

Stephan Balkenhol

Moses

Moses, n.d.

Todros Geller

Moses

Moses, n.d.

Todros Geller

Moses

Moses, n.d.

Todros Geller

Moses

Moses, n.d.

Todros Geller

Moses

Moses, n.d.

Todros Geller

Moses

Moses, n.d.

Todros Geller

Moses

Moses, n.d.

Todros Geller

Moses

Moses, n.d.

Todros Geller

A work made of graphite on ivory tracing paper (discolored to light yellow).

L.A. County Museum with Parking Lot, 1965

Ed Ruscha

Untitled

Untitled, c. 2008

Erika Blumenfeld

Untitled

Untitled, c. 2008

Erika Blumenfeld

A work made of chiaroscuro woodcut from four blocks in black and light medium and dark greenish gray on off-white laid paper, laid down on ivory laid paper.

Triumph of Caesar, 1599

Andrea Andreani

Untitled (Three Circles with Frame Extension/-Mundus/Form Light Vibration)

Untitled (Three Circles with Frame Extension/-Mundus/Form Light Vibration), 1983–85

Francis Piatek

A work made of color screen print on ivory wove paper.

Travel Light Theatre, The Dumb Waiter/The Lover, n.d.

John Massey

A work made of wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid japanese paper, laid down on ivory wove japanese paper (a laminate made by the artist).

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of pencil and tempera on toned paper.

Saint Andrew’s Greek Orthodox Church Light Fixture Proposals, Chicago, Illinois, Presentation Design Drawings, c. mid 1950s

Rambusch (Firm)

A work made of charcoal, with gray pastel and white chalk and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers laid down on wood pulp board.

Covent Garden Market, with Portico of St. Paul's Church, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of wood engraving in black on cream wove paper in folded light greenish gray, textured, wove paper enclosure with letterpress in black and gold.

The Beat of the Drums, 1957

Bertram Reibel

A work made of soft ground etching, drypoint and spit-bite in light brown and black on cream japanese paper, laid down on white wove paper (chine collé).

Untitled VI, 2012

Martin Puryear

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