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A work made of aquatint in light green-blue, with etching in black, on white wove paper.

A la pintura: Blue 12-13, 1971, published 1972

Robert Motherwell

A work made of aquatint in cadmium red light, with white pastel additions, on white wove paper.

A la pintura: Red 1-3, 1971, published 1972

Robert Motherwell

A work made of etching and drypoint with foul biting in black ink on ivory laid paper altered to light brown.

Old Battersea Bridge, 1879

James McNeill Whistler

A work made of manuscript cutting in tempera and gold leaf, with latin inscriptions in black and red ink, ruled in light brown, and with a separate cutting in tempera cut-and-tipped into the decorated letter, on parchment.

Angel Playing an Instrument in a Decorated Initial "R" with Flora, Fauna and Grotesque, from an Antiphonal, n.d.

A work made of relief etching in black on light brown wove paper.

Nearer to the Brutes, part one of Brute Creation, 2008

Phillip Chen

A work made of color woodblock print.

View of Shiba Coast (Shibaura no kei), with shades of light blue water, No.108 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856

Utagawa Hiroshige

A work made of color woodblock print.

View of Shiba Coast (Shibaura no kei), with light and dark blue water, No.108 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856

Utagawa Hiroshige

A work made of pen and black ink, with brush and brown wash, heightened with white opaque watercolor, with incising, on cream laid paper prepared with a light brown wash, laid down on thick laid paper.

Apollo Driving the Chariot of the Sun, 1544/45

Lelio Orsi

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Masks and faces: Mr. Pipanthoud, vous ni affichez, 1857–58

Paul Gavarni

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Masks and faces, 1857–58

Paul Gavarni

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Masks and faces: We have never permitted..., 1857–58

Paul Gavarni

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24, 1896

Odilon Redon

A work made of jizhou ware; light grey stoneware with dark brown glaze and painting in overglaze buff.

Bowl with Calligraphic Strokes, Southern Song (1127–1279) or Yuan dynasty (1271–1368), c. 12th/14th century

A work made of color woodblock print.

View of Shiba Coast (Shibaura no kei), with very light and dark blue water, No.108 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856

Utagawa Hiroshige

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel One from "The Incredible Bulk", January 1979

Angelo Torres

A work made of etching and aquatint in light green on white wove paper.

Emma II - Mixed Emotions, 1967–75

Larry Rivers

A work made of blue damask silk brocaded with tan, light rose, green, and silver with wool on reverse..

Panel, 1700/25

A work made of etching, drypoint and engraving on light gray china paper laid down on ivory wove paper.

Young Cowherds, c. 1864

Charles Émile Jacque

Box, from 101 Prints

Box, from 101 Prints, 1967

Norman Roland Eppink

A work made of gelatin silver print.

Light Calligram II (16), 1993

Joan Fontcuberta

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