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A work made of color woodblock print.

View of Shiba Coast (Shibaura no kei), with light and dark blue water, No.108 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856

Utagawa Hiroshige

A work made of pen and black ink, with brush and brown wash, heightened with white opaque watercolor, with incising, on cream laid paper prepared with a light brown wash, laid down on thick laid paper.

Apollo Driving the Chariot of the Sun, 1544/45

Lelio Orsi

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Masks and faces: Mr. Pipanthoud, vous ni affichez, 1857–58

Paul Gavarni

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Masks and faces, 1857–58

Paul Gavarni

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Masks and faces: We have never permitted..., 1857–58

Paul Gavarni

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24, 1896

Odilon Redon

A work made of jizhou ware; light grey stoneware with dark brown glaze and painting in overglaze buff.

Bowl with Calligraphic Strokes, Southern Song (1127–1279) or Yuan dynasty (1271–1368), c. 12th/14th century

A work made of color woodblock print.

View of Shiba Coast (Shibaura no kei), with very light and dark blue water, No.108 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856

Utagawa Hiroshige

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel One from "The Incredible Bulk", January 1979

Angelo Torres

A work made of etching and aquatint in light green on white wove paper.

Emma II - Mixed Emotions, 1967–75

Larry Rivers

A work made of etching, drypoint and engraving on light gray china paper laid down on ivory wove paper.

Young Cowherds, c. 1864

Charles Émile Jacque

A work made of blue damask silk brocaded with tan, light rose, green, and silver with wool on reverse..

Panel, 1700/25

Box, from 101 Prints

Box, from 101 Prints, 1967

Norman Roland Eppink

A work made of gelatin silver print.

Light Calligram II (16), 1993

Joan Fontcuberta

A work made of color screenprint on ivory wove paper.

Travel Light Theatre, Steambath, n.d.

John Massey

A work made of lithograph in black on light gray chine.

Standing Bather, third plate, 1899

Henri Fantin-Latour

A work made of lithograph in black on light gray chine.

Juliette Dodu, 1904

Odilon Redon

A work made of lithograph in black on light gray chine.

It was a Veil, an Imprint, plate 1 of 6, 1891

Odilon Redon

A work made of charcoal, with white chalk, gray and white pastel and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Berkeley Square, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of graphite, heightened with white gouache, on light gray-brown wove paper, laid down on white wove tissue paper.

Paestum, c. 1840

William Leighton Leitch

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