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A work made of color woodblock print; oban.

Yomei Gate in Light Rain, 1935

Kasamatsu Shiro

A work made of charcoal and stumping, heightened with white chalk and stumping, on light blue wove paper (discolored to brown).

Wooded Landscape with Cows in Foreground, n.d.

Unknown

A work made of black chalk heightened with white chalk, on light brown laid paper, laid down on cream laid paper.

Apollo and His Horses, n.d.

François Verdier

A work made of black chalk, heightened with white chalk, on light brown laid paper, laid down on ivory laid paper.

Portrait of a Young Woman, n.d.

Unknown

A work made of woven abaca (hemp) cloth in red, white, and light and dark brown stripes; from a pagan tribe.

Panel, 1900/25

A work made of charcoal, with white chalk, touches of gray pastel, and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board.

Fleet Street from Cock Tavern, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of lithograph in dark beige, dark brown, red-brown, light gray and dark gray on white inomachi nacre paper.

Specimen, 1960

Garo Antreasian

A work made of woodcut in dark gray-tan, light gray-tan and black on cream wove japanese paper.

The Raid, 1910

Louis Auguste Lepère

A work made of manuscript cutting in tempera and gold leaf, with plattdeutsch inscriptions in light brown, red and blue inks, on parchment.

Illuminated Initial "H" from a Prayerbook, 15th century

A work made of lithograph in blue and gray on light gray wove paper.

The Aberdeen Stone, 1970, published 1971

Robert Motherwell

A work made of lithograph in light gray and dark browm on ivory wove paper.

The Face of the Midget, plate V from The Midget and the Dwarf, 1960

Aubrey Schwartz

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Untitled (Two Basque Girls), n.d.

Paul Gavarni

A work made of etching and engraving on light gray china paper, laid down on ivory wove paper.

A Royalist Encampment, n.d.

Charles Émile Jacque

A work made of color woodblock print; hashira-e.

Couple Lighting Pipes Under a Plum Tree, c. 1772

Isoda Koryusai

A work made of etching and drypoint in light brown ink on cream laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of lithograph, by light transfer, in cool-black on white wove paper.

Veils 2, 1974

Robert Rauschenberg

A work made of pen and black ink, with brown and black ink, brush and gray wash, and touches of pen and brown ink, over black chalk, heightened with white and pale yellow gouache, on light brown paper.

Christ in the Olive Garden, 1590/1600

Tintoretto

A work made of jun ware; light grey porcellanous stoneware, burnt redbrown where exposed; thick glaze, pitted, olive brown with light blue & purple fleckings, deep brown on outer edge of rim, greenish at footrim. flat spreading rim with raised ogee edge; low spreading base; 5 drainage holes, stopped with cement. light grey porcellanous stoneware burnt redbrown where exposed. thick glaze, pitted, olive brown with light blue and purple fleckings where thickened and vertical f lecking on each lobe; deep brown on outer edge of rim. greenish at footrim, stooping just short of rim and within foot. none on base of foot-rim..

Six-Lobed Flowerpot with Foliate Rim, Jin dynasty (1115–1234), 13th century

A work made of lithograph on light buff laid paper.

The Face of a Woman, 1913

Oskar Kokoschka

A work made of color lithograph on light gray chine.

The Yellow Lady, plate from La Vie de Chateau, n.d.

Marie Laurencin

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