Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Untitled (Two Basque Girls), n.d.

Paul Gavarni

A work made of etching and drypoint in light brown ink on cream laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of lithograph, by light transfer, in cool-black on white wove paper.

Veils 2, 1974

Robert Rauschenberg

A work made of pen and black ink, with brown and black ink, brush and gray wash, and touches of pen and brown ink, over black chalk, heightened with white and pale yellow gouache, on light brown paper.

Christ in the Olive Garden, 1590/1600

Tintoretto

A work made of jun ware; light grey porcellanous stoneware, burnt redbrown where exposed; thick glaze, pitted, olive brown with light blue & purple fleckings, deep brown on outer edge of rim, greenish at footrim. flat spreading rim with raised ogee edge; low spreading base; 5 drainage holes, stopped with cement. light grey porcellanous stoneware burnt redbrown where exposed. thick glaze, pitted, olive brown with light blue and purple fleckings where thickened and vertical f lecking on each lobe; deep brown on outer edge of rim. greenish at footrim, stooping just short of rim and within foot. none on base of foot-rim..

Six-Lobed Flowerpot with Foliate Rim, Jin dynasty (1115–1234), 13th century

A work made of color woodblock print; hashira-e.

Couple Lighting Pipes Under a Plum Tree, c. 1772

Isoda Koryusai

A work made of color lithograph on light gray chine.

The Yellow Lady, plate from La Vie de Chateau, n.d.

Marie Laurencin

A work made of lithograph on light buff laid paper.

The Face of a Woman, 1913

Oskar Kokoschka

A work made of charcoal, with white chalk and gray pastel, and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers, laid down on wood pulp board.

Room in Which Colonel Newcome Died, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of graphite and black chalk, heightened with watercolor and watercolor wash, on light weight cream wove paper.

Profile Portrait of a Girl, n.d.

Paul A. Mulready

A work made of etching on light gray china paper laid down on ivory wove paper.

Horseman Waiting, 1866

Odilon Redon

A work made of lithograph in black on light gray chine.

Duet of the Trojans, seventh plate, 1903

Henri Fantin-Latour

A work made of lithograph in black on light gray chine.

Pierre Bonnard, 1902

Odilon Redon

A work made of etching on light green gray laid paper.

Hanno's Death, 7/11/1973

Horst Janssen

A work made of lithograph in black on light gray chine.

Pilgrim of the Sublunary World, plate 5 of 6, 1891

Odilon Redon

A work made of charcoal and white chalk, with gray pastel and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers, laid down on wood pulp board.

The Reform Club, from In Thackeray's London, c. 1913

Francis Hopkinson Smith

A work made of color screenprint on ivory wove paper.

Travel Light Theatre, The Dumb Waiter/The Lover, n.d.

John Massey

A work made of lithograph in ochre and light purple on white wove paper.

The Celtic Stone, 1970, published 1971

Robert Motherwell

A work made of etching and drypoint on light green laid paper.

Village of Wimille, Near Boulogne, c. 1880

Alphonse Legros

A work made of lithograph in black on light gray loose chine.

Untitled Trial Lithograph, 1900

Odilon Redon

<<<49505152 >>>