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A work made of lithograph in yellow, beige, light green, and dark green, partially from transfer paper transferred to stone, on ivory china paper.

Street Seen from Above, from Some Aspects of Paris Life, 1897

Pierre Bonnard

A work made of color woodblock print; oban, keyblock proof impression with light color.

Cao Zheng (Sotoki Sosei), from the series "One Hundred and Eight Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori)", c. 1827/30

Utagawa Kuniyoshi

A work made of drypoint on light green laid paper.

Guardhouse, 1901

Gustave Leheutre

A work made of transfer lithograph printed in brown on light gray china paper laid down on white wove paper.

The Cow Pasture, 1871

Jean Baptiste Camille Corot

A man in a blue tunic carries another in a decorative tan tunic. He is superimposed on a didactic like map. There is writing in the upper left and bodies along the lower border with trees.

The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert, 1889

Odilon Redon

A work made of bronze.

Centennial of Interns of City Hospitals, 1902

Louis Alexandre Bottée

A work made of color screen print on polymer and bamboo.

Double Dip Model 2022-23, 2022-23

James P. Johnson ONN-ISS-KWAH

A work made of album leaf mounted as a hanging scroll; ink and light colors on silk.

Spring View from a Thatched Pavilion on the Lakeshore, late 15th century

School of Sesshu

A work made of lithograph on light gray china paper, laid down on white wove paper.

James Parry, 1828

Achille Devéria

A work made of lithograph in black on ivory china paper laid down on ivory wove paper.

The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert, 1889

Odilon Redon

A work made of graphite on ivory wove paper, tipped onto light brown wove paper.

Study for Excavation, 1943/48

Peter Blume

A work made of gelatin silver print.

Doorway to Kilauea Light House, Kilauea, Kauai, Hawaii, 1976

John Smart

A work made of color screenprint on ivory wove paper.

Travel Light Theatre, P.S. Your Cat is Dead, n.d.

John Massey

A work made of color screenprint on cream wove paper.

The Light of the Soul, from Meditation Drawing Screenprints, c. 1930

Olga Fröbe-Kapteyn

A work made of oil pastel, paint, resin, and collage of torn paper on cream wove paper.

Marine Light Study (Sailors and Angels), II-1, 1987

Gordon Newton

A work made of oil pastel, paint, resin, and a collage of cut and torn papers on pieced, cream wove paper.

Marine Light Study (Sailors and Angels), III-2, 1987

Gordon Newton

A work made of oil pastel, paint, polyurethane varnish, resin, and collage of cut and torn paper on cream wove paper.

Marine Light Study (Sailors and Angels), V-12, 1987

Gordon Newton

A work made of oil stick, paint, polyurethane varnish and resin on cream wove paper.

Marine Light Study (Sailors and Angels), VI-1, 1988

Gordon Newton

A work made of oil pastel, paint, polyurethane varnish, resin, and collage of torn paper on cream wove paper.

Marine Light Study (Sailors and Angels), VIII-4, 1988

Gordon Newton

A work made of oil pastel, paint, polyurethane varnish, resin and collage of torn paper on pieced, cream wove paper.

Marine Light Study (Sailors and Angels), V-1, 1987

Gordon Newton

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