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A work made of etching on light gray china paper laid down on ivory wove paper.

Reapers at Rest, 1849

Charles Émile Jacque

A work made of manuscript cutting with tempera and gold leaf, and pen and black ink, and with latin inscriptions in light brown and red inks, ruled in light brown ink, on parchment.

The Murder of Thomas Becket, page two, from a Book of Hours, 1430/40

Nicolas Brouwer

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

He [The Narrator's Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896

Odilon Redon

A work made of lithograph from one stone on light tan balinese paper, tipped onto brown japanese paper.

Tea Pot, 1975

Claes Oldenburg

A work made of lithograph (etching transfer) on light gray china paper laid down on off-white wove paper.

Flemish Interior, 1856

Rodolphe Bresdin

A work made of etching and drypoint printed in brown on light green laid paper.

The Canal: Morning, c. 1877

Alphonse Legros

A work made of etching on light gray china paper laid down on ivory wove paper.

The Sheep Coming Home, c. 1865

Charles Émile Jacque

A work made of lithograph in black on light gray china paper laid down on white wove paper.

Miguel Llobet, 1908

Odilon Redon

A work made of chiaroscuro woodcut from four blocks in black and light, medium and dark greenish gray on off-white laid paper.

Triumph of Caesar, 1599

Andrea Andreani

A work made of lithograph in black ink on light gray china paper laid down on ivory china paper.

Centaur Aiming at the Clouds, 1895

Odilon Redon

A work made of pen and brush and black ink and gray wash on light bluish-gray wove paper.

Untitled, 1943

Eugene Berman

A work made of lithograph in black on light gray china paper laid down on white wove paper.

Harold in Italy: In the Mountains, 1888

Henri Fantin-Latour

A work made of lithograph in yellow, beige, light green, and dark green, partially from transfer paper transferred to stone, on ivory china paper.

Street Seen from Above, from Some Aspects of Paris Life, 1897

Pierre Bonnard

A work made of transfer lithograph printed in brown on light gray china paper laid down on white wove paper.

The Cow Pasture, 1871

Jean Baptiste Camille Corot

A work made of color woodblock print; oban, keyblock proof impression with light color.

Cao Zheng (Sotoki Sosei), from the series "One Hundred and Eight Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori)", c. 1827/30

Utagawa Kuniyoshi

A man in a blue tunic carries another in a decorative tan tunic. He is superimposed on a didactic like map. There is writing in the upper left and bodies along the lower border with trees.

The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert, 1889

Odilon Redon

A work made of drypoint on light green laid paper.

Guardhouse, 1901

Gustave Leheutre

A work made of lithograph in black on ivory china paper laid down on ivory wove paper.

The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert, 1889

Odilon Redon

A work made of lithograph on light gray china paper, laid down on white wove paper.

James Parry, 1828

Achille Devéria

A work made of album leaf mounted as a hanging scroll; ink and light colors on silk.

Spring View from a Thatched Pavilion on the Lakeshore, late 15th century

School of Sesshu

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